12 · 26 abhangas
आनंद Joy
There is less joy in the Gāthā than longing, which is perhaps why the joy, when it comes, sounds so unguarded.
- खेळ मांडियेला वाळवंटीं घाई
- आपुलें मरण पाहिलें म्यां डोळां
- काळ सार्थक केला त्यांणी
- सदा माझे डोळे जडो तुझे मूर्ती
- बरें जालें देवा निघालें दिवाळें
- बरा कुणबी केलों
- सद्गुरुरायें कृपा मज केली
- नामदेवें केलें स्वप्नामाजी जागें
- थोर अन्याय केला तुझा अंत म्यां पाहिला
- दिवट्या छत्री घोडे
- आम्ही वैकुंठवासी
- रात्री दिवस आह्मां युद्धाचा प्रसंग
- वृक्ष वल्ली आह्मां सोयरीं वनचरें
- हे चि थोर भक्ति आवडती देवा
- ओलें मूळ भेदी खडकाचें अंग
- नाहीं निर्मळ जीवन
- जळो माझें कर्म वायां केली कटकट
- उपकारासाटीं बोलों हे उपाय
- मऊ मेनाहूनि आह्मी विष्णुदास
- ऐसे कैसे जाले भोंदू
- वैद वाचविती जीवा
- पवित्र तें कुळ पावन तो देश
- विष्णुमय जग वैष्णवांचा धर्म
- आह्मां घरीं धन शब्दाचीं रत्नें
- अणुरणीयां थोकडा
- आनंदाचे डोहीं आनंदतरंग
Gāthā 189 · १८९ · टिपरी - अभंग ७
खेळ मांडियेला वाळवंटीं घाईThe dance on the sandbank
Sung by Lata Mangeshkar. The Wārkarīs dancing on the river sand at Pandharpur; the lines are long and run in pairs.
खेळ मांडियेला वाळवंटीं घाई । नाचती वैष्णव भाई रे । क्रोध अभिमान केला पावटणी । एक एका लागतील पायीं रे ॥१॥
The play is set up on the sandbank in a rush; the Vaiṣṇav brothers dance. Anger and pride they have made their footstool; they fall at one another's feet.
नाचती आनंदकल्लोळीं । पवित्र गाणें नामावळी । कळिकाळावरि घातलीसे कास । एक एकाहुनी बळी रे ॥ध्रु.॥
They dance in waves of joy, singing the holy string of names; they have girded themselves against time and death — each one mightier than the next.
गोपीचंदनउटी तुळसीच्या माळा । हार मिरवती गळां । टाळ मृदंग घाई पुष्पवरुषाव । अनुपम्य सुखसोंहळा रे ॥२॥
Sandal-paste and tulsī garlands, necklaces bright at their throats; cymbals, drums, a hurry, a rain of flowers — a festival of joy beyond compare.
लुब्धलीं नादीं लागली समाधी । मूढ जन नर नारी लोकां । पंडित ज्ञानी योगी महानुभाव । एकचि सद्धिसाधकां रे ॥३॥
Lost in the sound, fallen into samādhi — simple folk, men and women; pandits, sages, yogis, the great — all one, siddhas and seekers alike.
वर्णाभिमान विसरली याति । एकएकां लोटांगणीं जाती । निर्मळ चित्तें जालीं नवनीतें । पाषाणा पाझर सुटती रे ॥४॥
Pride of caste forgotten, the castes prostrate to one another; hearts made pure as fresh butter; the stones begin to weep.
होतो जयजयकार गर्जत अंबर । मातले हे वैष्णव वीर रे । तुका म्हणे सोपी केली पायवाट । उतरावया भवसागर रे ॥५॥
Shouts of victory thunder to the sky; these Vaiṣṇav warriors are drunk with it. Tuka says: the footpath has been made easy, to cross the ocean of this world.
वर्णाभिमान विसरली याति — "pride of caste forgotten." He is describing a crowd he stood in. The equality is not argued for; it is reported, as something that happens when people dance.
Gāthā 2659 · २६५९
आपुलें मरण पाहिलें म्यां डोळांI saw my own death
Not a deathbed poem — a poem about watching the ego die, and finding the rest of the world still there.
आपुलें मरण पाहिलें म्यां डोळां । तो जाला सोहळा अनुपम्य ॥१॥
I saw my own death with my own eyes; that was a festival beyond compare.
आनंदे दाटलीं तिन्ही त्रिभुवनें । सर्वात्मकपणें भोग जाला ॥ध्रु.॥
The three worlds were flooded with joy; I enjoyed it as the self of all.
एकदेशीं होतों अहंकारें आथिला । त्याच्या त्यागें जाला सुकाळ हा ॥२॥
I had been confined to one place, puffed up with ego; by giving that up, this abundance came.
फिटलें सुतक जन्ममरणाचें । मी माझ्या संकोचें दुरी जालों ॥३॥
The pollution of birth and death was wiped away; I went far from my own narrowness.
नारायणें दिला वस्तीस ठाव । ठेवूनियां भाव ठेलों पायीं ॥४॥
Nārāyaṇ gave me a place to dwell; setting down my faith, I stayed at his feet.
तुका ह्मणे दिलें उमटूनि जगीं । घेतलें तें अंगीं लावूनियां ॥५॥
Tuka says: he gave it, printed, to the world; what I took, I took upon my body.
एकदेशीं होतों — "I was in one place," confined to a single point of view. The death he celebrates is the death of that.
Gāthā 4447 · ४४४७
काळ सार्थक केला त्यांणीThey made their time worthwhile
Four lines of summary.
काळ सार्थक केला त्यांणी । धरिला मनीं विठ्ठल ॥१॥
They made their time worthwhile who held Viṭṭhal in their minds.
नाम वाचे श्रवण कीर्त्ति । पाउलें चित्तीं समान ॥ध्रु.॥
The name on the tongue, his fame in the ear, his feet in the heart — all alike.
कीर्त्तनाचा समारंभ । निदपभ सर्वदा ॥२॥
The celebration of kīrtan, always without pretence.
तुका ह्मणे स्वरूपसिद्धि । नित्य समाधि हरिनामीं ॥३॥
Tuka says: the attainment of one's true form — perpetual samādhi in the name of Hari.
Gāthā 3 · ३
सदा माझे डोळे जडो तुझे मूर्तीMay my eyes stay on you
The third abhang. Its refrain, गोड तुझें रूप गोड तुझें नाम, is often sung on its own and credited loosely; it belongs here.
सदा माझे डोळे जडो तुझे मूर्ती । रखुमाईच्या पती सोयरिया ॥१॥
May my eyes stay fixed on your form always, husband of Rakhumāī, my own kin.
गोड तुझें रूप गोड तुझें नाम । देईं मज प्रेम सर्व काळ ॥ध्रु.॥
Sweet is your form, sweet your name — give me love for you at every moment.
विठो माउलिये हा चि वर देईं । संचरोनि राहीं हृदयामाजी ॥२॥
Mother Viṭhu, grant me just this: come in and stay within my heart.
तुका म्हणे कांहीं न मागे आणीक । तुझे पायीं सुख सर्व आहे ॥३॥
Tuka says, I ask for nothing else; every happiness is at your feet.
Notice what he calls the god: सोयरिया, kin, and then माउली, mother — a male god addressed as mother. The Wārkarī tradition does this constantly, and it tells you what kind of relationship this is meant to be. Not a king and a subject. A child and the one it runs to.
Gāthā 1330 · १३३०
बरें जालें देवा निघालें दिवाळेंGood that I went bankrupt
The most startling abhang in the Gāthā, and the one most easily misused. Written after the famine and the failure of his business.
बरें जालें देवा निघालें दिवाळें । बरी या दुष्काळें पीडा केली ॥१॥
Good that it happened, God — I went bankrupt; good that this famine tormented me.
अनुतापें तुझें राहिलें चिंतन । जाला हा वमन संवसार ॥ध्रु.॥
In the remorse, my mind stayed on you; this worldly life I have vomited out.
बरें जालें जगीं पावलों अपमान । बरें गेलें धन ढोरें गुरें ॥३॥
Good that I was humiliated in the world; good that the money went, and the cattle and the herds.
बरें जालें नाहीं धरिली लोकलाज । बरा आलों तुज शरण देवा ॥४॥
Good that I stopped caring what people would say; good that I came to you for refuge, God.
बरें जालें तुझें केलें देवाईल । लेंकरें बाईल उपेक्षिलीं ॥५॥
Good that I gave myself to your temple — and neglected my children and my wife.
तुका ह्मणे बरें व्रत एकादशी । केलें उपवासीं जागरण ॥६॥
Tuka says: good, too, the Ekādashī vow — the fasting and the night-long waking.
This is not "everything happens for a reason." Look at the fifth line: good that I neglected my children and my wife. No one says that as a boast. He is holding up the whole wreck of his life, including the parts he is ashamed of, and refusing to pretend any of it went differently. The "good" is bitter before it is grateful.
A caution, because this page is part of a mental-health project: this is a thing a person may say about their own loss, after a long time. It is not a thing to say to someone else about theirs.
Gāthā 320 · ३२०
बरा कुणबी केलोंGood that you made me a Kunbi
The orthodox mocked him for writing scripture as a Kunbī — a farming caste — in Marathi, not Sanskrit. This is his answer.
बरा कुणबी केलों । नाहीं तरि दंभेंचि असतों मेलों ॥१॥
Good that you made me a Kunbī; otherwise I'd have died of pretension.
भलें केलें देवराया । नाचे तुका लागे पायां ॥ध्रु.॥
You did well, king of gods — Tuka dances and falls at your feet.
विद्या असती कांहीं । तरी पडतों अपायीं ॥२॥
Had I had some learning, I would have fallen into harm.
सेवा चुकतों संताची । नागवण हे फुकाची ॥३॥
I would have missed serving the saints — a loss for nothing.
गर्व होता ताठा । जातों यमपंथें वाटा ॥४॥
Pride and stiffness would have taken me down the road to Yama.
तुका म्हणे थोरपणें । नरक होती अभिमानें ॥५॥
Tuka says: greatness brings hell by way of vanity.
The insult was "you are only a Kunbī." The reply is: yes, and thank God. It is the same move as लहानपण दे गा देवा further down this page — smallness not as a wound to be healed but as the safest place to stand.
Gāthā 368 · ३६८ · स्वामीस सद्गुरूची कृपा जाली ॥ - अभंग ४
सद्गुरुरायें कृपा मज केलीThe guru who came in a dream
How he was initiated — in a dream, by a guru named Bābājī, who gave him the mantra every Wārkarī still chants.
सद्गुरुरायें कृपा मज केली । परी नाहीं घडली सेवा कांहीं ॥१॥
The king of true gurus showed me grace, though I had done him no service at all.
सांपडविलें वाटे जातां गंगास्नाना । मस्तकीं तो जाणा ठेविला कर ॥ध्रु.॥
He found me on the road as I went to bathe in the river, and placed his hand on my head.
भोजना मागती तूप पावशेर । पडिला विसर स्वप्नामाजी ॥२॥
He asked for a quarter-measure of ghee for his meal — in the dream, I forgot.
कांहीं कळहे उपजला अंतराय । म्हणोनियां काय त्वरा जाली ॥३॥
Some obstacle, some trouble came between us; perhaps that is why he left in such a hurry.
राघवचैतन्य केशवचैतन्य । सांगितली खुण माळिकेची ॥४॥
Rāghav Chaitanya, Keshav Chaitanya — he told me the line of the lineage.
बाबाजी आपलें सांगितलें नाम । मंत्र दिला राम कृष्ण हरि ॥५॥
He told me his own name, Bābājī, and gave me the mantra: Rāma Kṛṣṇa Hari.
माघाशुद्ध दशमी पाहुनि गुरुवार । केला अंगीकार तुका म्हणे ॥६॥
Choosing the tenth of bright Māgh, a Thursday, he accepted me, says Tuka.
The detail that makes this believable is the ghee. He forgot to bring it. Even in the dream in which he is chosen, he fails at the one small thing asked of him — and is chosen anyway. The mantra he received, राम कृष्ण हरि, is the one you will hear at every Wārkarī gathering today.
Gāthā 1315 · १३१५ · नामदेव व पांडुरंग यांनी स्वप्नांत येऊन स्वामींस आज्ञा केली कीं कवित्व करणें - ते अभंग ॥२
नामदेवें केलें स्वप्नामाजी जागेंNāmdev woke me: make poetry
A second dream: the saint Nāmdev, three centuries dead, comes with Viṭṭhal and gives him his work.
नामदेवें केलें स्वप्नामाजी जागें । सवें पांडुरंगें येऊनियां ॥१॥
Nāmdev woke me in a dream, and Pāṇḍuraṅg came with him.
सांगितलें काम करावें कवित्व । वाउगें निमित्य बोलों नको ॥ध्रु.॥
He gave me the work: make poetry — do not speak idly, for no reason.
माप टाकी सळ धरिली विठ्ठलें । थापटोनि केलें सावधान ॥२॥
Viṭṭhal set out the measure and held me to it; patting me, he woke me fully.
प्रमाणाची संख्या सांगे शत कोटी । उरले शेवटीं लावी तुका ॥३॥
He named the reckoning — a hundred crore; what was left at the end, Tuka completes.
The tradition behind the last line: Nāmdev had vowed to compose a hundred crore abhangas and died short of it. Tukaram understood himself as finishing someone else's work. Not a founder. An heir, picking up where the last one put the pen down.
Gāthā 2231 · २२३१ · स्वामींनीं तेरा दिवस निद्रा केली. मग भगवंतें येऊन समाधान केलें कीं, कवित्व कोरडें आहे तें काढणें उदकांतून
थोर अन्याय केला तुझा अंत म्यां पाहिलाYou kept the papers safe in the water
The orthodox made him sink his notebooks in the Indrāyaṇī. He sat by the river without food for thirteen days. This is what he wrote when, the tradition says, they came back.
थोर अन्याय केला तुझा अंत म्यां पाहिला । जनाचिया बोलासाटीं चित्त क्षोभविलें ॥१॥
I did you a great wrong — I tested you to the very end; for the sake of people's talk, I troubled your heart.
भागविलासी केला सीण अधम मी यातिहीन । झांकूनि लोचन दिवस तेरा राहिलों ॥ध्रु.॥
I wore you out — I, the lowly one, without caste; I sat with my eyes closed for thirteen days.
अवघें घालूनियां कोडें तानभुकेचें सांकडें । योगक्षेम पुढें तुज करणें लागेल ॥२॥
I laid it all before you as a riddle — the crisis of thirst and hunger; you had to see to my welfare.
उदकीं राखिले कागद चुकविला जनवाद । तुका ह्मणे ब्रीद साच केलें आपुलें ॥३॥
You kept the papers safe in the water; you ended the people's slander. Tuka says, you made your promise true.
Whatever you make of the miracle, look at who apologises. Not the Brahmins who drowned his work. Tukaram — for having made God go to such trouble on his behalf. It is the tenderest line in the story, and the least told.
Gāthā 1878 · १८७८ · शिवाजी राजे यांनीं स्वामींस अबदागिरी, घोडा, कारकून असे न्यावयास पाठविले ते अभंग ॥ 14
दिवट्या छत्री घोडेTorches, parasols, horses
The Gāthā prints this under a heading saying Shivājī Rāje sent the saint a parasol, a horse and a clerk to bring him to court. Tradition holds they met; historians have found no contemporary record.
दिवट्या छत्री घोडे । हें तों बयांत न पडे ॥१॥
Torches, parasols, horses — these do not suit my state.
आतां येथें पंढरिराया । मज गोविसी कासया ॥ध्रु.॥
Now, king of Pandharī, why tangle me up in this?
मान दंभ चेष्टा। हे तों शूकराची विष्ठा ॥२॥
Honour, pomp, performance — these are the dung of swine.
तुका ह्मणे देवा । माझे सोडववणे धांवा ॥३॥
Tuka says: God, run and set me free.
He does not refuse the king. He asks God to get him out of it. The offer frightens him more than the famine did.
Gāthā 520 · ५२०
आम्ही वैकुंठवासीWhy we came
A statement of purpose, sung at Dasarā. Here he speaks as "we" — the Wārkarīs.
आम्ही वैकुंठवासी । आलों या चि कारणासी । बोलिले जे ॠषी । साच भावें वर्ताव्या ॥१॥
We live in Vaikuṇṭha; we have come for this very reason — to live out, in true feeling, what the sages said.
झाडूं संतांचे मारग । आडरानें भरलें जग । उच्छिष्टाचा भाग । शेष उरलें तें सेवूं ॥ध्रु.॥
We will sweep clean the paths of the saints; the world has grown into a wilderness. Of what is left over, we will eat the remainder.
अर्थे लोपलीं पुराणें । नाश केला शब्दज्ञानें । विषयलोभी मन । साधनें बुडविलीं ॥२॥
The meaning has vanished from the Purāṇas; knowledge of mere words has ruined them; minds greedy for pleasure have drowned the practices.
पिटूं भक्तिचा डांगोरा । कळिकाळासी दरारा । तुका म्हणे करा । जेजेकार आनंदें ॥३॥
We will beat the drum of devotion and put fear into time and death. Tuka says: raise shouts of victory, with joy.
"We will sweep the paths" — झाडूं संतांचे मारग. Not build a new road. Sweep the old one clear so people can walk it again. It is a very modest ambition, and it is the whole Wārkarī project in a line.
Gāthā 4071 · ४०७१
रात्री दिवस आह्मां युद्धाचा प्रसंगNight and day, a war
Three lines, filed near the end of the Gāthā. Perhaps the most exact description of an anxious life in Marathi.
रात्री दिवस आह्मां युद्धाचा प्रसंग । अंतर्बाह्य जग आणि मन ॥१॥
Night and day we are at war — the world outside, and the mind within.
जीवा ही आगोज पडती आघात । येऊनियां नित्य नित्य करी ॥२॥
The self takes blows it never sees coming; they arrive, again and again, every day.
तुका ह्मणे तुझ्या नामाचिया बळें । अवघीयांचें काळें केलें तोंड ॥३॥
Tuka says: by the strength of your Name, I have shamed them all.
He does not say the war ends. He says it is on two fronts, all the time, and that the blows come without warning. That is the honest part, and it is why the last line can be trusted: whatever he found, he found while still in it.
Gāthā 2471 · २४७१
वृक्ष वल्ली आह्मां सोयरीं वनचरेंTrees and vines are our kin
Written, tradition says, during his solitude on Bhaṇḍārā hill. It ends with the line quoted most often on this whole subject: a mind in dialogue with itself.
वृक्ष वल्ली आह्मां सोयरीं वनचरें । पक्षी ही सुस्वरें आळविती ॥१॥
Trees and vines are our kin, and the creatures of the forest; birds sing to us in sweet voices.
येणें सुखें रुचे एकांताचा वास । नाहीं गुण दोष अंगा येत ॥ध्रु.॥
In this joy, living alone feels good; neither virtue nor fault clings to the body.
आकाश मंडप पृथुवी आसन । रमे तेथें मन क्रीडा करी ॥२॥
The sky for a canopy, the earth for a seat; the mind delights and plays there.
कंथाकुमंडलु देहउपचारा । जाणवितो वारा अवश्वरु ॥३॥
A patched cloth and a water-pot for the body's needs; the wind tells me the hour.
हरिकथा भोजन परवडी विस्तार । करोनि प्रकार सेवूं रुची ॥४॥
Stories of Hari are my food, served in plenty; I savour them in many ways.
तुका ह्मणे होय मनासी संवाद । आपुला चि वाद आपणांसी ॥५॥
Tuka says: the mind holds a dialogue — its own argument, with itself.
The first five lines are solitude as company: trees as relatives, birds as singers, the wind as a clock. And then the last line turns inward: होय मनासी संवाद । आपुला चि वाद आपणांसी — "the mind holds a dialogue; it is its own argument, with itself." Being alone did not quiet the conversation. It let him hear it.
Gāthā 2867 · २८६७
हे चि थोर भक्ति आवडती देवाStay as the Infinite placed you
The refrain of this abhang, ठेविलें अनंतें तैसें चि राहावें, is one of the most quoted lines in Marathi.
हे चि थोर भक्ति आवडती देवा । संकल्पावी माया संसाराची ॥१॥
This is the great devotion God loves: to offer up the illusion of worldly life.
ठेविलें अनंतें तैसें चि राहावें । चित्तीं असों द्यावें समाधान ॥ध्रु.॥
As the Infinite has placed you, so remain; keep contentment in your heart.
वाहिल्या उद्वेग दुःख चि केवळ । भोगणें तें फळ संचिताचें ॥२॥
Carrying anxiety brings only sorrow; what you undergo is the fruit of what was stored up.
तुका ह्मणे घालूं तयावरी भार । वाहूं हा संसार देवा पायीं ॥३॥
Tuka says: let us lay the burden on him; let us carry this worldly life at God's feet.
This line is often used to tell people to put up with things they should not put up with. Read the verse after it: वाहिल्या उद्वेग दुःख चि केवळ — "carrying the anxiety brings only sorrow." The instruction is not "accept whatever is done to you." It is narrower and more useful: the situation is one weight; the worrying about it is a second weight you are allowed to put down.
Gāthā 1395 · १३९५
ओलें मूळ भेदी खडकाचें अंगA wet root splits the rock
On practice — abhyās. Short, practical, and much quoted to students.
ओलें मूळ भेदी खडकाचें अंग । आभ्यासासी सांग कार्यसिद्धि ॥१॥
A tender wet root splits the body of the rock — to practice, the work yields.
नव्हे ऐसें कांहीं नाहीं अवघड । नाहीं कईवाड तोंच वरि ॥ध्रु.॥
There is nothing so hard it cannot be done; it is hard only until you set your hand to it.
दोरें चिरा कापे पडिला कांचणी । अभ्यासें सेवनीं विष पडे ॥२॥
A rope, rubbing at the well's rim, wears a groove in stone; by habit, even poison can be taken.
तुका ह्मणे कैंचा बैसण्यासी ठाव । जठरीं बाळा वाव एकाएकीं ॥३॥
Tuka says: where was there room to sit? — yet in the womb, room is made for the child, bit by bit.
The last image is the gentlest: a womb has no room for a child, and then, slowly, it does. Change as something that makes room for itself a little at a time. Worth remembering on the days when nothing seems to be moving.
Gāthā 759 · ७५९
नाहीं निर्मळ जीवनIf the water isn't clean
Numbered 759 on Wikisource. The refrain is the whole argument.
नाहीं निर्मळ जीवन । काय करील साबण ॥१॥
If the water itself isn't clean, what will soap do?
तैसी चित्तशुद्धि नाहीं । तेथें बोध करील काई ॥ध्रु.॥
Just so: where the mind hasn't been cleared, what will advice do?
वृक्ष न धरी पुष्पफळ । काय करील वसंतकाळ ॥२॥
If the tree bears no flower or fruit, what will spring do?
वांजे न होती लेकरें । काय करावें भ्रतारें ॥३॥
If a woman cannot bear children, what can a husband do?
नपुंसका पुरुषासी । काय करील बाइल त्यासी ॥४॥
To a man who is impotent, what will a wife do?
प्राण गेलिया शरीर । काय करील वेव्हार ॥५॥
Once life has left the body, what use is business?
तुका ह्मणे जीवनेंविण । पीक नव्हे नव्हे जाण ॥६॥
Tuka says: without water, know this — no crop will ever grow.
Everyone who has been told to calm down knows why it didn't work. The advice was not wrong. It had nothing to act in. Water first; then soap.
Gāthā 1250 · १२५०
जळो माझें कर्म वायां केली कटकटLet my deeds burn
A quarrel with God, ending in a line that is either grateful or sarcastic — and probably both.
जळो माझें कर्म वायां केली कटकट । जालें तैसें तंट नाहीं आलें अनुभवा ॥१॥
Let my deeds burn — I made all that fuss for nothing; what happened happened, and none of it became something I could feel.
आता पुढें धीर काय देऊं या मना। ऐसें नारायणा प्रेरिलें तें पाहिजे ॥ध्रु.॥
Now what courage can I give this mind? Nārāyaṇ, it must be as you have set it going.
गुणवंत केलों दोष जाणायासाठीं। माझें माझें पोटीं बळकट दूषण ॥२॥
You made me gifted only so I could see my faults; in my own belly sits this stubborn flaw, "mine, mine."
तुका ह्मणे अहो केशीराजा दयाळा । बरवा हा लळा पाळियेला शेवटीं ॥३॥
Tuka says: O Keshirāj, kind one — a fine pampering you have kept up for me, in the end.
आता पुढें धीर काय देऊं या मना — "now what courage can I give this mind?" A saint who has run out of encouragement for himself. The honesty is the gift. You are allowed to have run out too.
Gāthā 942 · ९४२
उपकारासाटीं बोलों हे उपायI cannot bear to see them drown
Why he kept speaking, even when it cost him. The middle line is often quoted alone as बुडती हे जन न देखवे डोळां.
उपकारासाटीं बोलों हे उपाय । येणेंविण काय आह्मां चाड ॥१॥
It is to help that we speak of these remedies; otherwise what need would we have?
बुडतां हे जन न देखवे डोळां । येतो कळवळा ह्मणउनि ॥२॥
I cannot bear to see people drowning; compassion wells up — that is why.
तुका ह्मणे माझे देखतिल डोळे । भोग देते वेळे येईल कळों ॥३॥
Tuka says: my eyes will see it; when the time comes to suffer the consequences, it will be understood.
This is the reason given for all four thousand abhangas: not to be right, not to be remembered. He could not watch people drown and say nothing. If you have ever kept talking to someone who didn't want to hear it, because you could see where they were going, this is that.
Gāthā 981 · ९८१
मऊ मेनाहूनि आह्मी विष्णुदासSofter than wax
A self-portrait of the Wārkarī — gentle and immovable at once. The line popularly sung as "भले तरी देऊ कासेची लंगोटी, नाठाळाचे माथी हाणू काठी" appears here in the Wikisource text in a different form.
मऊ मेनाहूनि आह्मी विष्णुदास । कठिण वज्रास भेदूं ऐसे ॥१॥
Softer than wax are we, servants of Viṣṇu — yet hard enough to pierce a diamond.
मेले जित असों निजोनियां जागे । जो जो जो जें मागे तें तें देऊं ॥ध्रु.॥
Dead, we are alive; asleep, we are awake; whatever anyone asks of us, we give.
भले तरि देऊं गांडीची लंगोटी । नाठ्याळा चि गांठीं देऊं माथां ॥२॥
To the good we'll give even the loincloth off our backs; to the unruly, a knock on the head.
मायबापाहूनि बहू मायावंत । करूं घातपात शत्रूहूनि ॥३॥
More loving than mother and father; more ruinous than an enemy.
अमृत तें काय गोड आह्मांपुढें । विष तें बापुडें कडू किती ॥४॥
What is nectar — how sweet can it be to us? And poison, poor thing — how bitter?
तुका ह्मणे आह्मी अवघे चि गोड । ज्याचें पुरे कोड त्याचेपरि ॥५॥
Tuka says: we are sweet all through, to each according to the wish he brings.
Gentleness is not the same as having no spine, and this abhang will not let you confuse them. The same people who will give you the cloth off their backs will also tell you, plainly, when you are wrong.
Gāthā 4287 · ४२८७
ऐसे कैसे जाले भोंदूHow have such frauds come about?
Against holy men who perform renunciation.
ऐसे कैसे जाले भोंदू । कर्म करोनि ह्मणति साधु ॥१॥
How have such frauds come about — who do their deeds and call themselves saints?
अंगा लावूनियां राख । डोळे झांकुनी करिती पाप ॥ध्रु.॥
They smear ash on their bodies, shut their eyes, and sin.
दावुनि वैराग्याची कळा । भोगी विषयाचा सोहळा ॥२॥
They put on a show of renunciation and enjoy the festival of the senses.
तुका ह्मणे सांगों किती । जळो तयांची संगती ॥३॥
Tuka says, how much can I tell — let their company burn.
Four lines that every generation in India has needed. The ash, the closed eyes, the performance — he had seen all of it, and he did not think it was holy.
Gāthā 329 · ३२९
वैद वाचविती जीवाIf doctors could save every life
Famous for its second verse, a four-hundred-year-old joke against vows and superstition.
वैद वाचविती जीवा । तरी कोण ध्यातें देवा ॥१॥
If physicians could save every life, who would meditate on God?
काय जाणों कैसी परी । प्रारब्ध तें ठेवी उरी ॥ध्रु.॥
Who knows the way of it — what is fated keeps its hold.
नवसें कन्यापुत्र होती । तरि कां करणें लागे पती ॥२॥
If vows could produce daughters and sons, why would anyone need a husband?
जाणे हा विचार । स्वामी तुकयाचा दातार ॥३॥
The one who understands this reasoning is Tuka's master, the giver.
Please read the first line carefully. He is not saying "don't see a doctor." He is saying doctors cannot promise that no one dies — which is true, and which the next line about vows makes into a joke against people who think prayer can do what biology does. It is an argument for clear thinking, not against medicine. If you are unwell, see a doctor; Tukaram would have.
Gāthā 4276 · ४२७६
पवित्र तें कुळ पावन तो देशHoly is that clan
A roll-call of saints from every caste and community — the Gāthā's answer to anyone who thinks birth decides holiness.
पवित्र तें कुळ पावन तो देश । जेथें हरिचे दास घेती जन्म ॥१॥
Holy is that clan, sanctified that land, where the servants of Hari are born.
कर्मधर्म त्याचे जाला नारायण । त्याचेनी पावन तिन्ही लोक ॥ध्रु.॥
Their ritual and duty became Nārāyaṇ; through them the three worlds are made pure.
वर्णअभिमानें कोण जाले पावन । ऐसें द्या सांगून मजपाशीं ॥३॥
Who ever became pure through pride of caste? Tell me that, here in front of me.
अंत्यजादि योनि तरल्या हरिभजनें । तयाचीं पुराणें भाट जालीं ॥३॥
Those born among the outcast crossed over by singing to Hari; the Purāṇas became their bards.
वैश्य तुळाधार गोरा तो कुंभार । धागा हा चांभार रोहिदास ॥४॥
Tuḷādhār the merchant, Gorā the potter, Rohidās the leather-worker;
कबीर मोमीन लतिब मुसलमान । शेणा न्हावी जाण विष्णुदास ॥५॥
Kabīr the Muslim weaver, Latif the Muslim, Senā the barber — know them as servants of Viṣṇu.
काणोपात्र खोदु पिंजारी तो दादु । भजनीं अभेदू हरिचे पायीं ॥६॥
Kānhopātrā, Khodu, Dādu the cotton-carder — in worship, one with Hari's feet.
चोखामेळा बंका जातीचा माहार । त्यासी सर्वेश्वर ऐक्य करी ॥७॥
Chokhāmeḷā and Baṅkā, Mahārs by caste — with them the Lord of all became one.
नामयाची जनी कोण तिचा भाव । जेवी पंढरीराव तियेसवें ॥८॥
Nāmdev's Janī — what was her standing? The king of Pandharpur ate with her.
मैराळा जनक कोण कुळ त्याचें । महिमान तयाचें काय सांगों ॥९॥
Mairāḷa, Janaka — what was their lineage? How can I tell their greatness?
यातायातीधर्म नाहीं विष्णुदासा । निर्णय हा ऐसा वेदशास्त्रीं ॥१०॥
The servants of Viṣṇu have no caste-duty; this is the verdict of the Vedas and Shāstras.
तुका ह्मणे तुह्मी विचारावे ग्रंथ । तारिले पतित नेणों किती ॥११॥
Tuka says: look in the books yourselves — who knows how many the fallen ones who were saved.
A Shūdra poet, writing in the seventeenth century, naming a Muslim weaver, an untouchable, a barber and a servant woman as the holy ones — and then telling the Brahmins to check their own books. B. R. Ambedkar later argued that the saints only ever preached equality "in the eyes of God," which left caste in society untouched. Both things are true, and this abhang is the best place to see both.
Gāthā 46 · ४६
विष्णुमय जग वैष्णवांचा धर्मThe world is full of Viṣṇu
From the विराण्या. The last line is the Wārkarī ethic in miniature.
विष्णुमय जग वैष्णवांचा धर्म । भेदाभेदभ्रम अमंगळ ॥१॥
The world is full of Viṣṇu — that is the Vaiṣṇava's dharma; the illusion of difference is unholy.
अइका जी तुम्ही भक्त भागवत । कराल तें हित सत्य करा ॥ध्रु.॥
Listen, you devotees of the Bhāgavat: whatever good you do, do it in truth.
कोणा ही जिवाचा न घडो मत्सर । वर्म सर्वेश्वरपूजनाचें ॥२॥
Let no envy arise toward any living being — that is the secret of worshipping the Lord of all.
तुका म्हणे एका देहाचे अवयव । सुख दुःख जीव भोग पावे ॥३॥
Tuka says: we are limbs of one body; the one self feels its pleasure and its pain.
एका देहाचे अवयव — limbs of one body. If that is true, then another person's pain is not something that happens elsewhere.
Gāthā 3385 · ३३८५
आह्मां घरीं धन शब्दाचीं रत्नेंIn our house the wealth is words
This settles an old question. The third verse, तुका ह्मणे पाहा शब्द चि हा देव, is often recited and was doubted; it is in the Wikisource text.
आह्मां घरीं धन शब्दाचीं रत्नें । शब्दाचीं शस्त्रें यत्न करूं ॥१॥
In our house the wealth is jewels of words; with weapons of words we make our effort.
शब्द चि आमुच्या जीवाचें जीवन । शब्दें वांटूं धन जनलोकां ॥२॥
Words are the very life of our life; with words we share our wealth among the people.
तुका ह्मणे पाहा शब्द चि हा देव । शब्दें चि गौरव पूजा करूं ॥३॥
Tuka says: look — the word itself is God; with words we honour and worship.
He had lost the shop, the grain, the standing, the family. What was left was words, and he spent them by the thousand. When everything you could point to is gone, naming is still available to you — and the third line says that the naming itself can be a kind of prayer.
Gāthā 987 · ९८७
अणुरणीयां थोकडाSmaller than an atom, vast as the sky
The two lines of his that sound most like a mystic's. Sung by Bhīmsen Joshī as तुका आकाशाएवढा.
अणुरणीयां थोकडा । तुका आकाशाएवढा ॥१॥
Smaller than the smallest atom, Tuka is as vast as the sky.
गिळुनि सांडिलें कळिवर । भव भ्रमाचा आकार ॥ध्रु.॥
I have swallowed and spat out the corpse — the shape of worldly delusion.
सांडिली त्रिपुटी । दीप उजळला घटीं ॥२॥
I have cast off the three-fold split; a lamp is lit inside the pot.
तुका ह्मणे आतां । उरलों उपकारापुरता ॥३॥
Tuka says: now I remain only for the sake of helping others.
The first line holds both answers together: as small as possible, and as large as the sky. And the last line is the one to keep: उरलों उपकारापुरता — "I am left over only to be of use." Whatever he found, he did not keep it.
Gāthā 3241 · ३२४१
आनंदाचे डोहीं आनंदतरंगIn a pool of joy
Sung by Lata Mangeshkar, and in the films of 2018 and 2025. The first line uses the word joy four times.
आनंदाचे डोहीं आनंदतरंग । आनंद चि अंग आनंदाचें ॥१॥
In a pool of joy, waves of joy; joy is the very body of joy.
काय सांगों जालें कांहीचियाबाही । पुढें चाली नाहीं आवडीनें ॥ध्रु.॥
What can I say of what happened — beyond all telling; desire goes no further than this.
गर्भाचे आवडी मातेचा डोहळा । तेथींचा जिव्हाळा तेथें बिंबे ॥२॥
As a mother's cravings come from the child in her womb, so the tenderness there is mirrored here.
तुका ह्मणे तैसा ओतलासे ठसा । अनुभव सरिसा मुखा आला ॥३॥
Tuka says: so the mould has been cast; what I lived has come, just as it was, to my mouth.
The last line is the most important thing he ever said about his own poetry: अनुभव सरिसा मुखा आला — the experience and the words arrived together. He is not describing joy from outside. The abhang is the joy, happening.