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Archive · तुकाराम गाथा · 1608–1650

Read तुकाराम

His own words, in full. 97 abhangas in the original Marathi, each with a line-by-line English rendering and a note — and below them, all 4,564 of the Gāthā, to search and read.

A grain trader from Dehu, near Pune, whose shop failed and whose first wife died in the famine of 1630, crying for food. The learned mocked him for writing about God in Marathi when he was only a Kunbī farmer; they made him throw his notebooks into the Indrāyaṇī river. He kept writing. What survives is the Gāthā — some four and a half thousand abhangas, sung every day across Maharashtra for nearly four hundred years.

This page is for reading them, not reading about them. The Marathi is the Gāthā as transcribed on Marathi Wikisource, reproduced line for line; the English under each line is ours, plain and as close as we could keep it; the notes are one reading among many. Read the Marathi aloud if you can: these were made to be sung.

Four words you will meet on every abhang
अभंगAbhang — "unbroken." A short devotional song in rhyming lines; most are four to six verses.
॥ध्रु.॥Dhruvapad — the refrain, sung after every verse. Here it is set in a warmer colour, slightly indented.
तुका म्हणे"Tuka says" — his signature, almost always in the last verse. Often the whole abhang turns on it.
१३२८The Gāthā number, as on Wikisource. Printed editions number differently, so a number always belongs to an edition.
  1. पहिलें दर्शन The face he loved 5
  2. आत्मचरित्र His life, in his own words 8
  3. मन The mind 4
  4. दुःख Sorrow, doubt, and quarrels with God 2
  5. प्रार्थना Prayers 9
  6. कसें जगावें How to live 11
  7. माणूस The measure of a person 2
  8. पत्र The letter to Pandharpur 7
  9. पंढरी Pandharpur 6
  10. नाम The Name 6
  11. लहानपण आणि शब्द Smallness, and words 4
  12. आनंद Joy 26
  13. ओढ Longing 5
  14. निरोप Leaving 2
· switch it off to read the Marathi alone
01 · 5 abhangas

पहिलें दर्शन The face he loved

The Gāthā opens where every Wārkarī day opens: in front of Viṭṭhal at Pandharpur, a dark god standing on a brick with his hands on his hips. Before anything else, Tukaram simply looks. It is worth starting there too, because the whole of what follows — the rage, the doubt, the tenderness — is addressed to this face.

  1. समचरणदृष्टि विटेवरी साजिरी
  2. कर कटावरी तुळसीच्या माळा
  3. गरुडाचें वारिकें कासे पीतांबर
  4. सावळें सुंदर रूप मनोहर
  5. सुंदर तें ध्यान उभे विटेवरी
Gāthā 1 · १ · मंगलाचरण - अभंग ६

समचरणदृष्टि विटेवरी साजिरीThe first abhang

The Gāthā opens here: a prayer, before anything else, that the mind should stay on the figure on the brick.

समचरणदृष्टि विटेवरी साजिरी । तेथें माझी हरी वृत्ति राहो ॥१॥

Feet set even, gaze level, lovely on the brick — there, Hari, let my mind stay.

आणीक न लगे मायिक पदार्थ । तेथें माझें आर्त्त नको देवा ॥ध्रु.॥

I need no other thing of this illusory world; do not let my longing go there, God.

ब्रम्हादिक पदें दुःखाची शिराणी । तेथें दुश्चित झणी जडों देसी ॥२॥

Even Brahmā's station and the rest are heaps of sorrow; do not let my restless mind cling there.

तुका म्हणे त्याचें कळलें आम्हां वर्म । जे जे कर्मधर्म नाशवंत ॥३॥

Tuka says, we have understood the secret of it: every work and every rite perishes.

Begin with where you want the mind to rest, and name what it must not cling to — even the highest reward on offer. The whole book is this, four thousand times.

Gāthā 5 · ५

कर कटावरी तुळसीच्या माळाShow my eyes that form

A prayer for the vision, which turns, in the fifth line, into something closer to a cry.

कर कटावरी तुळसीच्या माळा । ऐसें रूप डोळां दावीं हरी ॥१॥

Hands on hips, garlands of tulsī — show my eyes that form, Hari.

ठेविले चरण दोन्ही विटेवरी । ऐसें रूप हरी दावीं डोळां ॥ध्रु.॥

Both feet set on the brick — show that form, Hari, to my eyes.

कटीं पीतांबर कास मिरवली । दाखवीं वहिली ऐसी मूर्ती ॥२॥

Yellow silk tied at the waist, gleaming — show me that image, quickly.

गरुडपारावरी उभा राहिलासी । आठवें मानसीं तें चि रूप ॥३॥

You stand on the Garuḍa-pillar; that very form keeps returning to my mind.

झुरोनी पांजरा होऊं पाहें आतां । येईं पंढरीनाथा भेटावया ॥४॥

Pining, I am about to become a cage of bones; come, Lord of Pandharī, and meet me.

तुका म्हणे माझी पुरवावी आस । विनंती उदास करूं नये ॥५॥

Tuka says: fulfil my hope; do not treat my plea with indifference.

झुरोनी पांजरा होऊं पाहें — "wasting away, I am about to become a cage," a frame of ribs. Longing in this tradition is physical; it has a body.

Gāthā 6 · ६

गरुडाचें वारिकें कासे पीतांबरLike no other

The last of the six opening abhangas, and the most ornate — then the plainest last line in the set.

गरुडाचें वारिकें कासे पीतांबर । सांवळें मनोहर कैं देखेन ॥१॥

Garuḍa's rider, yellow silk at the waist, dark and lovely — when shall I see him?

बरवया बरवंटा घनमेघ सांवळा । वैजयंतीमाळा गळां शोभे ॥ध्रु.॥

Fairest of the fair, dark as a rain-cloud, the Vaijayantī garland bright at his throat.

मुगुट माथां कोटि सूर्यांचा झळाळ । कौस्तुभ निर्मळ शोभे कंठीं ॥२॥

A crown on his head with the blaze of ten million suns; the flawless Kaustubha shining at his neck.

ओतींव श्रीमुख सुखाचें सकळ । वामांगीं वेल्हाळ रखुमादेवी ॥३॥

A face cast whole out of every joy; at his left, the graceful Rakhumādevī.

उद्धव अक्रूर उभे दोहींकडे । वर्णिती पवाडे सनकादिक ॥४॥

Uddhav and Akrūr stand on either side; Sanaka and the sages sing his deeds.

तुका म्हणे नव्हे आणिकांसारिखा । तो चि माझा सखा पांडुरंग ॥५॥

Tuka says: he is like no other — he alone is my friend, Pāṇḍuraṅg.

After five lines of jewels and sages, the word he lands on is सखा — friend.

Gāthā 3991 · ३९९१

सावळें सुंदर रूप मनोहरWe searched everything

Sung by Bhīmsen Joshī. The whole wish, in four lines.

सावळें सुंदर रूप मनोहर । राहो निरंतर हृदयीं माझे ॥१॥

Dark, beautiful, enchanting form — stay forever in my heart.

आणीक कांहीं इच्छा आह्मां नाहीं चाड । तुझें नाम गोड पांडुरंगे ॥ध्रु.॥

We have no other wish, no other craving; your name is sweet, Pāṇḍuraṅg.

जन्मोजन्मीं ऐसें मागितलें तुज । आह्मांसी सहज द्यावें आतां ॥२॥

Birth after birth I have asked you for this; now give it to us, simply.

तुका ह्मणे तुज ऐसे दयाळ । धुंडितां सकळ नाहीं आह्मां ॥३॥

Tuka says: one as merciful as you — we searched everything, and found none.

"Now give it to us, simply" — सहज, without fuss. He has been asking for lifetimes; he would like it handed over without ceremony.

Gāthā 2 · २

सुंदर तें ध्यान उभे विटेवरीBeautiful is that form

The second abhang of the Gāthā, and one of the most sung. A portrait, line by line, of the image at Pandharpur.

सुंदर तें ध्यान उभे विटेवरी । कर कटावरी ठेवूनियां ॥१॥

Beautiful is that form standing on the brick, hands resting on the hips.

तुळसीचे हार गळां कासे पीतांबर । आवडे निरंतर तें चि रूप ॥ध्रु.॥

Garlands of tulsī at his throat, yellow silk at his waist — that is the form I love, always.

मकरकुंडलें तळपती श्रवणीं । कंठीं कौस्तुभमणि विराजित ॥२॥

Fish-shaped earrings flash at his ears; the Kaustubha jewel shines at his throat.

तुका म्हणे माझें हें चि सर्व सुख । पाहीन श्रीमुख आवडीनें ॥३॥

Tuka says: this alone is all my joy — to gaze on that blessed face with love.

Nothing is asked for. The whole abhang is attention — the eye going slowly from the hands to the garland to the earrings to the face. If you have ever sat with something beautiful and not wanted anything from it, this is that, in four lines.

02 · 8 abhangas

आत्मचरित्र His life, in his own words

There is no contemporary biography of Tukaram. There is something better: a handful of abhangas in which he tells it himself. The famine, the dead wife, the shop that failed, the guru who came in a dream, the notebooks thrown in the river. Read these first and every later legend has something to be checked against.

  1. नावडे जें चित्ता
  2. आह्मी तेणें सुखी
  3. खावें ल्यावें द्यावें
  4. न देखवे डोळां ऐसा हा आकांत
  5. काय म्यां मानावें हरिकथेचें फळ
  6. दीप घेउनियां धुंडिती अंधार
  7. मज चि भोंवता केला येणें जोग
  8. याति शूद्र वैश केला वेवसाव
Gāthā 1879 · १८७९

नावडे जें चित्ताWhat my heart dislikes, you provide

The Gāthā prints fourteen abhangas under a rubric saying Shivājī Rāje sent a parasol, a horse and a clerk to fetch him. This is the first; the famous refusal, 1878, is read above.

नावडे जें चित्ता । तें चि होसी पुरविता ॥१॥

What my heart does not like — that is exactly what you provide.

कां रे पुरविली पाठी । माझी केली जीवेसाटीं ॥ध्रु.॥

Why have you hounded me so? You have set yourself at my life.

न करावा संग । वाटे दुरावावें जग ॥२॥

I feel I should keep no company; I want the world kept far away.

सेवावा एकांत । वाटे न बोलावी मात ॥३॥

I want to live in solitude; I feel I should not speak a word.

जन धन तन । वाटे लेखावें वमन ॥४॥

People, wealth, the body — I feel I should count them as vomit.

तुका ह्मणे सत्ता । हातीं तुझ्या पंढरिनाथा ॥५॥

Tuka says: the power is in your hands, Lord of Pandharī.

The complaint is addressed to God, not to the king. A royal summons is, to him, one more thing God has arranged to test him.

Gāthā 1886 · १८८६

आह्मी तेणें सुखीWhat I hope for, from a king

His answer, in effect, to the envoys: the only wealth he wants from them.

आह्मी तेणें सुखी । ह्मणा विठ्ठल विठ्ठल मुखीं ॥१॥

We are happy with this: say "Viṭṭhal, Viṭṭhal" with your mouth.

तुमचें येर वित्त धन । तें मज मृत्तिकेसमान ॥ध्रु.॥

Your other riches and wealth are the same to me as dust.

कंटीं मिरवा तुळसी । व्रत करा एकादशी ॥२॥

Wear tulsī at your throat; keep the Ekādashī vow.

ह्मणवा हरिचे दास । तुका ह्मणे मज हे आस ॥३॥

Call yourself a servant of Hari — Tuka says, that is what I hope for.

He does not lecture the court. He gives it the same instruction he would give a farmer: say the name, wear the tulsī, keep the fast.

Gāthā 1891 · १८९१

खावें ल्यावें द्यावेंThe account is in your name

From the same group of fourteen. A shopkeeper's metaphor for surrender.

खावें ल्यावें द्यावें । जमाखर्च तुझ्या नांवें ॥१॥

Eating, wearing, giving — the account is kept in your name.

आतां चुकली खटपट । झाड्या पाड्याचा बोभाट ॥ध्रु.॥

Now the fuss is finished — the clamour of balancing the books.

आहे नाहीं त्याचें । आह्मां काम सांगायाचें ॥२॥

What is and what isn't — our only work is to report it to you.

तुका ह्मणे चिंता । भार वाहे तुझ्या माथां ॥३॥

Tuka says: the worry, the burden, rests on your head.

A man who had kept a failing shop's ledgers knew exactly what it meant to have the account moved into someone else's name.

Gāthā 557 · ५५७ · लोहगावांस परचक्रवेढा पडला - अभंग ३

न देखवे डोळां ऐसा हा आकांतAn army at Lohgāon

The rubric says: an invading army laid siege to Lohgāon — his mother's village, where he often sang. Three abhangas; this is the first.

न देखवे डोळां ऐसा हा आकांत । परपीडे चित्त दुःखी होतें ॥१॥

My eyes cannot bear to see such a calamity; at others' pain my heart grows sorrowful.

काय तुम्ही येथें नसालसें जालें । आम्हीं न देखिलें पाहिजे हें ॥ध्रु.॥

It has come to seem as if you were not here; we ought never to have had to see this.

परचक्र कोठें हरिदासांच्या वासें । न देखिजेत देशें राहातिया ॥२॥

Where the servants of Hari dwell, an enemy's army should not be seen in that land.

तुका म्हणे माझी लाजविली सेवा । हीनपणें देवा जिणें जालें ॥३॥

Tuka says: you have shamed my service; God, my living has become a thing of disgrace.

He takes the invasion personally — not as a danger to himself, but as a failure of the arrangement between God and the people who sing to him.

Gāthā 558 · ५५८

काय म्यां मानावें हरिकथेचें फळWhat is the fruit of the story, then?

The second of the Lohgāon abhangas.

काय म्यां मानावें हरिकथेचें फळ । तरिजे सकळ जनीं ऐसें ॥१॥

What am I to count as the fruit of Hari's story — that all people are saved by it?

उच्छेद तो असे हा गे आरंभला । रोकडें विठ्ठला परचक्र ॥ध्रु.॥

Here the uprooting has begun: an enemy army, Viṭṭhal, in plain sight.

पापाविण नाहीं पाप येत पुढें । साक्षसी रोकडें साक्ष आलें ॥२॥

Without sin, sin does not come upon us; the proof has come, plain as a witness.

तुका म्हणे जेथें वसतील दास । तेथें तुझा वास कैसा आतां ॥३॥

Tuka says: where your servants live — how can your dwelling be there now?

The third line is him turning the blame back on himself — if this is happening, we must have deserved it — and the fourth line is him turning it on God again. Grief does both, in the same breath.

Gāthā 563 · ५६३

दीप घेउनियां धुंडिती अंधारLooking for darkness with a lamp

The third Lohgāon abhang — the recovery of nerve.

दीप घेउनियां धुंडिती अंधार । भेटे हा विचार अघटित ॥१॥

They take a lamp and go searching for the darkness — such a meeting is impossible.

विष्णुदास आम्ही न भ्यो कळिकाळा । भुलों मृगजळा न घडे तें ॥ध्रु.॥

We are Viṣṇu's servants; we do not fear time or death; we are not fooled by the mirage — that cannot happen.

उधळितां माती रविकळा मळे । हें कैसें न कळे भाग्यहीना ॥२॥

Throw up dust and the sun's rays are stained? How does the luckless man not understand this?

तुका म्हणे तृणें झांके हुताशन । हें तंव वचन वाउगें चि ॥३॥

Tuka says, "grass can smother fire" — that is an empty saying.

Sung by Sudhīr Phaḍke. Four images for the same claim: fear cannot find what it is looking for in a person whose attention is elsewhere.

Gāthā 566 · ५६६ · स्वामींचे स्त्रीनें स्वामींस कठिण उत्तरें केलीं - अभंग ७

मज चि भोंवता केला येणें जोगHis wife's words

The rubric reads: "the saint's wife gave the saint harsh answers" — seven abhangas in which he writes down what Āvalī said to him. This is the first.

मज चि भोंवता केला येणें जोग । काय याचा भोग अंतरला ॥१॥

He has wrapped this holy life round me alone; what pleasure of his has he ever gone without?

चालोनियां घरा सर्व सुखें येती । माझी तों फजीती चुके चि ना ॥ध्रु.॥

Every comfort comes walking home to other people; my humiliation never once lets up.

कोणाची बाईल होऊनियां वोढूं । संवसारीं काढूं आपदा किती ॥२॥

Whose wife have I become, to be dragged like this? How many troubles must I haul in this house?

काय तरी देऊं तोडितील पोरें । मरतीं तरी बरें होतें आतां ॥३॥

What am I to give — the children will tear me apart; better they died now.

कांहीं नेदी वांचों धोवियेलें घर । सारवावया ढोर शेण नाहीं ॥४॥

He lets nothing be saved; the house is washed bare; there is not even dung to smear the floor.

तुका म्हणे रांड न करितां विचार । वाहुनियां भार कुंथे माथां ॥५॥

Tuka says: the poor woman, without stopping to think, loads it all on her head and groans.

Read the fourth line slowly. He wrote down his wife saying it would be better if the children died, because that is what she said, and he did not think the record should be cleaner than the life. The musical देवबाभळी is built from these seven abhangas.

Gāthā 1328 · १३२८ · स्वामीस संतांनीं पुसलें कीं तुह्मांस वैराग्य कोण्या प्रकारें जालें तें सांगा - ते अभंग ॥ 3

याति शूद्र वैश केला वेवसावThe autobiography

The longest account of his own life in the Gāthā — twenty verses, told, he says, because the saints asked him what he had done. Everything the biographies say about him starts here.

याति शूद्र वैश केला वेवसाव । आदि तो हा देव कुळपूज्य ॥१॥

Born a Shūdra, I took up a merchant's trade; and this god was, from the beginning, the deity my family worshipped.

नये बोलों परि पाळिलें वचन । केलियाचा प्रश्न तुह्मीं संतीं ॥ध्रु.॥

I ought not to speak of it — but I keep your word, O saints; you asked me what I had done.

संवसारें जालों अतिदुःखें दुखी । मायबाप सेखीं कर्मलिया ॥२॥

In worldly life I grew wretched with suffering; in the end, my mother and father died.

दुष्काळें आटिलें द्रव्यें नेला मान । स्त्री एकी अन्न अन्न करितां मेली ॥३॥

The famine drained my money and took my standing; one wife died crying "food, food."

लज्जा वाटे जीवा त्रासलों या दुःखें । वेवसाय देख तुटी येतां ॥४॥

I was ashamed to the core, worn out by this grief; I watched the business run into loss.

देवाचें देऊळ होतें तें भंगलें । चित्तासी जें आलें करावेंसें ॥५॥

The god's temple that had stood there lay broken; I felt in my heart that I should do something.

आरंभीं कीर्तन करीं एकादशी । नव्हतें अभ्यासीं चित्त आधीं ॥६॥

At first I did kīrtan on Ekādashī; my mind was not yet trained to it.

कांहीं पाठ केलीं संतांचीं उत्तरें। विश्वासें आदरें करोनियां ॥७॥

I learned by heart some of the saints' sayings, with faith and with reverence.

गाती पुढें त्यांचें धरावें धृपद । भावें चित्त शुद्ध करोनियां ॥८॥

When others sang, I would take up the refrain, making my heart clean with feeling.

संताचें सेविलें तीर्थ पायवणी । लाज नाहीं मनीं येऊं दिली ॥९॥

I drank the water that had washed the saints' feet; I did not let shame into my mind.

टाकला तो कांहीं केला उपकार । केलें हें शरीर कष्टवूनि ॥१०॥

Whatever I could give up, I turned into help for others; I made this body toil for it.

वचन मानिलें नाहीं सुहृदांचें । समूळ प्रपंचें वीट आला ॥११॥

I did not heed the advice of well-wishers; I grew sick of worldly business to the root.

सत्यअसत्यासी मन केलें ग्वाही । मानियेलें नाहीं बहुमतां ॥१२॥

I made my own mind the witness between true and false; I did not accept what the majority held.

मानियेला स्वप्नीं गुरूचा उपदेश । धरिला विश्वास दृढ नामीं ॥१३॥

I took to heart the guru's teaching given in a dream; I held firm faith in the Name.

यावरि या जाली कवित्वाची स्फूर्ति । पाय धरिले चित्तीं विठोबाचे ॥१४॥

After this came the urge to make poetry; I held Viṭhobā's feet in my heart.

निषेधाचा कांहीं पडिला आघात । तेणें मध्यें चित्त दुखविलें ॥१५॥

Then came a blow — a prohibition; it hurt my heart for a time.

बुडविल्या वह्या बैसलों धरणें । केलें नारायणें समाधान ॥१६॥

When they drowned my notebooks, I sat down in protest; Nārāyaṇ consoled me.

विस्तारीं सांगतां बहुत प्रकार । होईल उशीर आतां पुरे ॥१७॥

To tell it all in detail would take many turns; it would take too long — enough now.

आतां आहे तैसा दिसतो विचार । पुढील प्रकार देव जाणे ॥१८॥

How things stand now is what you can see; what comes next, God knows.

भक्ता नारायण नुपेक्षी सर्वथा । कृपावंत ऐसा कळों आलें ॥१९॥

Nārāyaṇ never abandons his devotee — this is how I have come to know his kindness.

तुका ह्मणे माझें सर्व भांडवल । बोलविले पांडुरंगें ॥२०॥

Tuka says: all my capital is this — the words Pāṇḍuraṅg made me speak.

Read the third verse again: a wife dying while crying for food. He does not decorate it. And read the twelfth: सत्यअसत्यासी मन केलें ग्वाही — "I made my own mind the witness between true and false; I did not accept what the majority held." That line is quoted on its own all over Maharashtra, usually without anyone knowing it sits in the middle of his autobiography, between the famine and the dream.

What strikes you, reading it whole, is the order. The grief comes first, then the broken temple, then the singing — badly at first, "my mind was not yet trained" — and only then the poetry. He did not begin as a saint. He began as a bankrupt widower who went and fixed a ruined temple because he did not know what else to do.

in the whole Gāthā → link
text notes

Corrected from obvious legacy-font errors in the Wikisource transcription: सहुर्दाचें → सुहृदांचें.

03 · 4 abhangas

मन The mind

Four centuries ago, a failed shopkeeper wrote more precisely about the mind than almost anyone since. He does not treat it as an enemy to be conquered. He treats it as the ground everything stands on — and as the one you are always, whether you like it or not, in conversation with.

  1. आणीक दुसरें मज नाहीं आतां
  2. माझें चित्त तुझे पायीं
  3. ध्यानीं ध्यातां पंढरिराया
  4. मन करा रे प्रसन्न
Gāthā 696 · ६९६

आणीक दुसरें मज नाहीं आतांPāṇḍuraṅg in the mind, Pāṇḍuraṅg in meditation

The refrain here is the source of the line the 1936 film made famous — पांडुरंग ध्यानीं पांडुरंग मनीं — with the two halves the other way round.

आणीक दुसरें मज नाहीं आतां । नेमिलें या चित्तापासुनियां ॥१॥

I have nothing else now; I have resolved it, from this heart onward.

पांडुरंग मनीं पांडुरंग ध्यानीं । जाग्रतीं स्वप्नीं पांडुरंग ॥ध्रु.॥

Pāṇḍuraṅg in the mind, Pāṇḍuraṅg in meditation; waking and dreaming, Pāṇḍuraṅg.

पडिलें वळण इंिद्रयां सकळां । भाव तो निराळा नाहीं दुजा ॥२॥

All the senses have been bent to this turn; the feeling is single, there is no second.

तुका ह्मणे नेत्रीं केलें ओळखण । साजिरें तें ध्यान विटेवरी ॥३॥

Tuka says: the eyes have made their recognition — that lovely form on the brick.

पडिलें वळण इंद्रियां — "the senses have taken a bend," the way a river does. Not suppressed; redirected.

Gāthā 3360 · ३३६०

माझें चित्त तुझे पायींDo something, so that my heart stays

Sung by Sanjeev Abhyankar. Each line is a small set of requests.

माझें चित्त तुझे पायीं । राहें ऐसें करीं कांहीं । धरोनियां बाहीं । भव तारीं दातारा ॥१॥

Let my heart stay at your feet — do something to make it so; take me by the arm and carry me across this world, O giver.

चतुरा तूं शिरोमणि । गुणलावण्याची खाणी । मुगुट सकळां मणि । तूं चि धन्य विठोबा ॥ध्रु.॥

You are the crest-jewel of the wise, a mine of virtue and beauty, the jewel in the crown of all — you alone are blessed, Viṭhobā.

करीं त्रिमिराचा नाश । दीप होउनि प्रकाश । तोडीं आशापाश। करीं वास हृदयीं ॥२॥

Destroy the darkness; become a lamp and give light; cut the noose of hope; make your home in my heart.

पाहें गुंतलों नेणतां । तुज असो माझी चिंता। तुका ठेवी माथा । पायीं आतां राखावें ॥३॥

See, I got entangled without knowing; let my worry be yours; Tuka lays his head at your feet — now keep me.

"Do something" — करीं कांहीं. He does not know what would work. He asks for the result and leaves the method to God.

Gāthā 4057 · ४०५७

ध्यानीं ध्यातां पंढरिरायाThe body changes, mind and all

One of the few abhangas that describe the far side.

ध्यानीं ध्यातां पंढरिराया । मनासहित पालटे काया ॥१॥

Meditating on the king of Pandharī, the body changes, mind and all.

तेथें बोला कैची उरी । माझें मीपण जाला हरि ॥ध्रु.॥

There, what room is left for speech? My "I" has become Hari.

चित्तचैतन्यीं पडतां मिठी । दिसे हरिरूप अवघी सृष्टि ॥२॥

When mind and consciousness embrace, all creation appears as Hari's form.

तुका ह्मणे सांगों काय । एकाएकीं हरिवृत्तिमय ॥३॥

Tuka says: what can I tell — all at once, everything is Hari-mindedness.

He reports it, briefly, and does not dwell. The Gāthā spends far more lines on the road than on the arrival.

Gāthā 291 · २९१

मन करा रे प्रसन्नMake the mind glad

Wikisource files it among the Hanumān hymns, but it is about nothing except the mind. One of the few abhangas whose number is widely cited.

मन करा रे प्रसन्न । सर्व सिद्धीचें कारण । मोक्ष अथवा बंधन । सुख समाधान इच्छा ते ॥१॥

Make the mind glad, O people — it is the cause of every attainment: freedom or bondage, happiness, peace, desire — it is that.

मनें प्रतिमा स्थापिली । मनें मना पूजा केली । मनें इच्छा पुरविली । मन माउली सकळांची ॥ध्रु.॥

The mind set up the idol; the mind worshipped the mind; the mind fulfilled its own wish — the mind is mother of us all.

मन गुरू आणि शिष्य । करी आपुलें चि दास्य । प्रसन्न आपआपणास । गति अथवा अधोगति ॥२॥

The mind is guru and disciple; it does its own serving; glad or not glad with itself, it rises — or falls.

साधक वाचक पंडित । श्रोते वक्ते ऐका मात । नाहीं नाहीं आनुदैवत । तुका म्हणे दुसरें ॥३॥

Seekers, readers, pandits, listeners, speakers — hear this: there is no other god, no second, says Tuka.

मनें मना पूजा केली — "the mind worshipped the mind." Every act of devotion, he is saying, is the mind attending to itself. That could sound cold. Then he calls it माउली — mother. The mind is not the patient on this page, or the enemy. It is the one who has been holding you the whole time.

04 · 2 abhangas

दुःख Sorrow, doubt, and quarrels with God

Most devotional poetry speaks from the far shore. These abhangas do not. Here is the man who buried a wife in a famine, complaining that happiness is the size of a grain and sorrow the size of a mountain; cursing his own efforts; telling God, with some sarcasm, what a fine job he has done. That he is allowed to say all this, and remain a saint, is one of the kindest things about the tradition.

  1. कामधेनूचें वासरूं
  2. सुख पाहतां जवापाडें
Gāthā 4449 · ४४४९

कामधेनूचें वासरूंThe wish-cow's calf, with nothing to eat

A complaint, with a joke in it.

कामधेनूचें वासरूं । खाया न मिळे काय करूं ॥१॥

The calf of the wish-fulfilling cow — and it gets nothing to eat. What am I to do?

ऐसें आह्मां मांडियेलें । विठो त्वां कां सांडियेलें ॥ध्रु.॥

Such is the state we have been set in; Viṭho, why have you abandoned us?

बैसोनि कल्पद्रुमातळीं । पोटासाटीं तळमळीं ॥२॥

Sitting beneath the wishing-tree, tossing about for a bellyful.

तुका ह्मणे नारायणा । बरें लोकीं हें दीसेना ॥३॥

Tuka says: Nārāyaṇ, this does not look good, in the eyes of the world.

The last line is the sharpest: it's bad for your reputation. He appeals not to God's mercy but to God's embarrassment.

Gāthā 88 · ८८

सुख पाहतां जवापाडेंHappiness the size of a grain

From the विराण्या, the songs of separation. The opening couplet is famous; the rest is less known and harder.

सुख पाहतां जवापाडें । दुःख पर्वता एवढें ॥१॥

Look at happiness — the size of a barley grain; sorrow, as big as a mountain.

धरीं धरीं आठवण । मानीं संताचें वचन ॥ध्रु.॥

Hold on, hold on to remembrance; honour the word of the saints.

नेलें रात्रीनें तें अर्धें । बाळपण जराव्याधें ॥२॥

Night took half of life away; childhood and old age with its illness, the rest.

तुका म्हणे पुढा । घाणा जुंती जसी मूढा ॥३॥

Tuka says, and beyond that — like a dumb ox yoked to the oil-press.

He does the arithmetic of a life: half lost to sleep, the ends lost to childhood and illness, and what is left spent going round and round like an ox at the oil-press. And in the middle of the arithmetic, the refrain: धरीं धरीं आठवण — hold on, hold on to remembrance. Not "cheer up." Hold on.

05 · 9 abhangas

प्रार्थना Prayers

The plainest abhangas in the Gāthā: a person asking for something. For speed, for coolness, to be held back from drowning, to be made blind rather than see what he is afraid of seeing. They are short, and they do not explain themselves.

  1. अगा करुणाकरा करितसें धांवा
  2. करा नारायणा
  3. धांव घालीं आई
  4. बुडतां आवरीं
  5. मन माझें चपळ न राहे निश्चळ
  6. पापाची वासना नको दावूं डोळां
  7. तान्हेल्याची धणी
  8. नाहीं गुणदोष लिंपों देत अंगीं
  9. चित्त ग्वाही तेथें लौकिकाचें काई
Gāthā 2815 · २८१५

अगा करुणाकरा करितसें धांवाO ocean of mercy, I am calling

Sung by Lata Mangeshkar. Six lines, each one a little more urgent.

अगा करुणाकरा करितसें धांवा । या मज सोडवा लवकरि ॥१॥

O ocean of mercy, I am calling out — set me free, quickly.

ऐकोनियां माझीं करुणेचीं वचनें । व्हावें नारायणें उतावीळ ॥ध्रु.॥

Hearing my words of pleading, Nārāyaṇ, you ought to hurry.

मागें पुढें अवघा दिसे रिता ठाव । ठेवूनि पायीं भाव वाट पाहें ॥२॥

Before and behind, every place looks empty; I set my faith at your feet and watch the road.

उशीर तो आतां न पाहिजे केला । अहो जी विठ्ठला मायबापा ॥३॥

Now there must be no more delay — O Viṭṭhal, mother and father.

उरलें तें एक हें चि मज आतां । अवघें विचारितां शून्य जालें ॥४॥

Only this one thing is left to me now; weighing everything, all has come to nothing.

तुका ह्मणे आतां करीं कृपादान । पाउलें समान दावीं डोळां ॥५॥

Tuka says: now grant me the gift of grace — show my eyes your two feet, together.

अवघें विचारितां शून्य जालें — "weighing everything, all came to nothing." The prayer is made from inside that nothing, not after it.

Gāthā 605 · ६०५

करा नारायणाCut my sorrow down

Sung by Ānand Bhāṭe.

करा नारायणा । माझ्या दुःखाची खंडणा ॥१॥

Do this, Nārāyaṇ: cut my sorrow down.

वृत्ति राखा पायांपाशीं । वस्ती धरूनि मानसीं ॥ध्रु.॥

Keep my mind at your feet, lodged in your heart.

पाळोनियां लळा । आतां पाववावें फळा ॥२॥

Having indulged my fondness, now bring it to fruit.

तुका ह्मणे दीनें । त्यांचा हरतिया सीण ॥३॥

Tuka says: you are the one who takes away the weariness of the lowly.

खंडणा — cut, as you cut a crop. Not "take away my sorrow": cut it down.

Gāthā 846 · ८४६

धांव घालीं आईCome running, mother

Sung by Ānand Bhāṭe in the film Pānghrūṇ. The god addressed as a mother who is taking too long.

धांव घालीं आई । आतां पाहातेसी काई ॥१॥

Come running, mother — what are you waiting to see now?

धीर नाहीं माझे पोटीं । जालें वियोगें हिंपुटीं ॥ध्रु.॥

There is no patience left in my belly; separation has worn me down.

करावें सीतळ । बहु जाली हळहळ ॥२॥

Make it cool — the distress has grown great.

तुका ह्मणे डोई । कधीं ठेवीन हे पायीं ॥३॥

Tuka says: when shall I lay my head on these feet?

करावें सीतळ — "make it cool." The word for what you do to a fever, or a burn.

Gāthā 732 · ७३२

बुडतां आवरींI am drowning — hold me back

Sung by Suman Kalyāṇpur.

बुडतां आवरीं । मज भवाचे सागरीं ॥१॥

I am drowning — hold me back, in the ocean of worldly life.

नको मानूं भार । पाहों दोषांचे डोंगर ॥ध्रु.॥

Do not count it a burden; do not look at the mountains of my faults.

आहे तें सांभाळीं । तुझी कैसी ब्रीदावळी ॥२॥

Guard what is yours — what else is your famous pledge for?

तुका ह्मणे दोषी । मी तों पातकांची राशी ॥३॥

Tuka says: I am guilty — I am a heap of sins.

He argues like a man at a counter: you promised; this is your reputation at stake, not mine.

Gāthā 1731 · १७३१

मन माझें चपळ न राहे निश्चळMy mind will not stay still

One of the most exact descriptions of a restless mind in Marathi.

मन माझें चपळ न राहे निश्चळ । घडी एकी पळ िस्थर नाहीं ॥१॥

My mind is restless, it will not stay still; not for one moment, one instant, is it steady.

आतां तूं उदास नव्हें नारायणा । धांवें मज दीना गांजियेलें ॥ध्रु.॥

Now do not be indifferent, Nārāyaṇ; run to me, lowly and harried.

धांव घालीं पुढें इंिद्रयांचे ओढी । केलें तडातडी चित्त माझें ॥२॥

Run ahead of the pull of the senses; they have torn my heart to pieces.

तुका ह्मणे माझा न चले सायास । राहिलों हे आस धरुनी तुझी ॥३॥

Tuka says: my effort does not work; I have stayed on, holding this hope in you.

माझा न चले सायास — "my effort does not work." He has tried. That is the whole prayer: I tried, it didn't work, I'm still here.

Gāthā 4386 · ४३८६

पापाची वासना नको दावूं डोळांBetter I were blind

A prayer for limits — to be unable to do the things he knows he could.

पापाची वासना नको दावूं डोळां । त्याहुनि अंधळा बराच मी ॥१॥

Do not show my eyes the craving for sin; better I were blind than that.

निंदेचें श्रवण नको माझे कानीं । बधिर करोनि ठेवीं देवा ॥ध्रु.॥

Let no slander enter my ears; make me deaf, God, and leave me so.

अपवित्र वाणी नको माझ्या मुखा । त्याजहुनि मुका बराच मी ॥२॥

No impure word in my mouth; better I were dumb than that.

नको मज कधीं परस्त्रीसंगति । जनांतुन माती उठतां भली ॥३॥

Never the company of another's wife; better I were dust rising from among people.

तुका ह्मणे मज अवघ्याचा कांटाळा । तूं एक गोपाळा आवडसी ॥४॥

Tuka says: I am weary of all of it; you alone, Gopāḷ, I love.

He does not ask to be made good. He asks to be made unable. It is a more honest prayer than most.

Gāthā 278 · २७८

तान्हेल्याची धणीThe Gaṅgā is not lessened

Four lines, no complaint in them.

तान्हेल्याची धणी । फिटे गंगा नव्हे उणी ॥१॥

The thirsty man drinks his fill; the Gaṅgā is not lessened.

माझे मनोरथ सिद्धी । पाववावे कृपानिधी ॥ध्रु.॥

Bring my wishes to fulfilment, ocean of grace.

तूं तों उदाराचा राणा । माझी अल्प चि वासना ॥२॥

You are the king of the generous; my desire is very small.

कृपादृष्टीं पाहें । तुका म्हणे होईं साहे ॥३॥

Look on me with the eye of grace; Tuka says, be my help.

The argument is simply arithmetic: what I'm asking is tiny, and you are a river.

Gāthā 3752 · ३७५२

नाहीं गुणदोष लिंपों देत अंगींI don't let it stick

On shaking off blame, and calling for help in the same breath.

नाहीं गुणदोष लिंपों देत अंगीं । झाडितां प्रसंगीं वरावरी ॥१॥

I do not let merit or fault stick to my body; I brush them off as they come.

निकटवासिया आळवितों धांवा । तेथूनियां देवा सोडवूनी ॥ध्रु.॥

I call to the one who lives close by — run! — so that from there, God, you set me free.

उमटे अंतरीं तें करूं प्रगट । कळोनी बोभाट धांव घालीं ॥२॥

What rises in my heart I make plain; knowing the outcry, come running.

तुका ह्मणे तरि वांचलों या काळें । समर्थाचे बळें सुखी असों ॥३॥

Tuka says: so I have survived this time; by the Mighty One's strength, we are happy.

निकटवासिया — "the one who lives nearby." Not a distant god to be reached; a neighbour to be shouted for.

Gāthā 945 · ९४५

चित्त ग्वाही तेथें लौकिकाचें काईWhen the heart is witness

On conscience, and why public opinion does not matter.

चित्त ग्वाही तेथें लौकिकाचें काई । स्वहित तें ठायीं आपणापें ॥१॥

When the heart is witness, what is the world's opinion for? One's own good lies with oneself.

मनासी विचार तो चि साच भाव । व्यापक हा देव अंतर्बाहीं ॥ध्रु.॥

The mind's own counsel — that is true faith; this God pervades inside and out.

शुद्ध भावा न लगे सुचावा परिहार । उमटे साचार आणिके ठायीं ॥२॥

To a pure heart no excuse need be suggested; the truth shows itself elsewhere too.

भोगित्यासी काज अंतरीचें गोड । बाहिरल्या चाड नाहीं रंगें ॥३॥

The one who tastes it cares for the sweetness within; he has no need of outward colours.

तुका ह्मणे भाव शुद्ध हें कारण । भाट नारायण होईल त्यांचा ॥४॥

Tuka says: pure feeling is what matters; then Nārāyaṇ himself becomes their bard.

The same thought as the famous line in his autobiography — "I made my own mind the witness." Here it is the whole poem.

06 · 11 abhangas

कसें जगावें How to live

Practical abhangas — about money, about work, about who to feed and how to speak. Tukaram was a trader before he was anything else, and it shows: the advice is specific, and it assumes you have a household to run.

  1. जोडोनियां धन उत्तम वेव्हारें
  2. संतांचिये गांवीं प्रेमाचा सुकाळ
  3. धन्य ते संसारीं
  4. भक्त ऐसे जाणा जे देहीं उदास
  5. आलिया भोगासी असावें सादर
  6. कां रे नाठविसी कृपाळु देवासी
  7. सोइ†यासी करी पाहुणेर बरा
  8. आपटा संवदड रानचारा
  9. पिकवावें धन
  10. भावापुढें बळ
  11. नाहीं विचारीत
Gāthā 2854 · २८५४

जोडोनियां धन उत्तम वेव्हारेंEarn wealth by honest dealing

A householder's charter, in six lines.

जोडोनियां धन उत्तम वेव्हारें । उदास विचारें वेच करी ॥१॥

Earn wealth by honest dealing; spend it with a detached mind.

उत्तम चि गती तो एक पावेल । उत्तम भोगील जीव खाणी ॥ध्रु.॥

Such a one alone reaches the best end; the best, a mine of life, is his to enjoy.

परउपकारी नेणें परनिंदा । परस्त्रिया सदा बहिणी माया ॥२॥

Helpful to others, unacquainted with slander; to other men's wives, always a sister, a mother.

भूतदया गाईपशूचें पालन । तान्हेल्या जीवन वनामाजी ॥३॥

Kindness to creatures, care of cows and cattle, water for the thirsty in the forest.

शांतिरूपें नव्हे कोणाचा वाईट । वाढवी महत्व वडिलांचें ॥४॥

Peaceable, wishing no one ill; raising the honour of his elders.

तुका ह्मणे हें चि आश्रमाचें फळ । परमपद बळ वैराग्याचें ॥५॥

Tuka says: this is the fruit of the householder's stage — the strength of dispassion, the highest state.

Note what is not here: no fasting, no pilgrimage, no renunciation. Earn honestly, spend lightly, don't gossip, water the animals. The highest state, he says, is reachable from a shop.

Gāthā 1236 · १२३६

संतांचिये गांवीं प्रेमाचा सुकाळIn the saints' village

An economy described entirely in the language of a market town.

संतांचिये गांवीं प्रेमाचा सुकाळ । नाहीं तळमळ दुःखलेश ॥१॥

In the saints' village there is plenty of love; no restlessness, not a trace of sorrow.

तेथें मी राहीन होऊनि याचक । घालितील भीक ते चि मज ॥ध्रु.॥

There I will live as a beggar; what they give as alms is enough for me.

संतांचिये गांवीं वरो भांडवल । अवघा विठ्ठल धन वित्त ॥२॥

In the saints' village the capital is blessing; the whole wealth and treasure is Viṭṭhal.

संतांचे भोजन अमृताचे पान । करिती कीर्तन सर्वकाळ ॥३॥

The saints' meal is the drinking of nectar; they do kīrtan all the time.

संतांचा उदीम उपदेशाची पेठ । प्रेमसुख साटीं घेती देती ॥४॥

The saints' trade is a market of teaching; they buy and sell at the price of love's joy.

तुका ह्मणे तेथें आणिक नाहीं परी । ह्मणोनि भिकारी जालों त्यांचा ॥५॥

Tuka says: there is nothing else like it anywhere — so I have become their beggar.

Capital, wealth, trade, market, price: a failed merchant imagining a town where the only currency is the thing he could still afford.

Gāthā 996 · ९९६

धन्य ते संसारींBlessed are the kind

Four short lines on who is worth anything.

धन्य ते संसारीं । दयावंत जे अंतरीं ॥१॥

Blessed in this world are those whose hearts are kind.

येथें उपकारासाठीं । आले घर ज्यां वैकुंठीं ॥ध्रु.॥

For the sake of helping others, they left their home in Vaikuṇṭha and came here.

लटिकें वचन । नाहीं देहीं उदासीन ॥२॥

Not a false word; no coldness in their bodies.

मधुरा वाणी ओटीं । तुका ह्मणे वाव पोटीं ॥३॥

Sweet speech on their lips, says Tuka, and room in their hearts.

वाव पोटीं — literally "space in the belly." Room for other people. It is the whole definition.

Gāthā 1309 · १३०९

भक्त ऐसे जाणा जे देहीं उदासKnow them as devotees

A description, not an instruction.

भक्त ऐसे जाणा जे देहीं उदास । गेले आशापाश निवारूनि ॥१॥

Know them as devotees who are indifferent to the body, who have cast off the noose of hope.

विषय तो त्यांचा जाला नारायण । नावडे धन जन माता पिता ॥ध्रु.॥

Their one object has become Nārāyaṇ; they do not care for wealth, people, mother or father.

निर्वाणीं गोविंद असे मागेंपुढें । कांहीं च सांकडें पडों नेदी ॥२॥

In the last extremity Govinda is before and behind them; he lets no hardship fall on them.

तुका ह्मणे सत्य कर्मा व्हावें साहे । घातलिया भये नर्का जाणें ॥३॥

Tuka says: stand by true action; the one who gives way to fear goes to hell.

The last line is harsh, and it is about fear, not sin: the failure he condemns is flinching.

Gāthā 2386 · २३८६

आलिया भोगासी असावें सादरFace what comes

On endurance, and where to put the weight.

आलिया भोगासी असावें सादर । देवावरी भार घालूनियां ॥१॥

Face what comes to be endured with readiness, laying the burden on God.

मग तो कृपासिंधु निवारी सांकडें । येर तें बापुडें काय रंके ॥ध्रु.॥

Then that ocean of mercy clears the difficulty; the rest is helpless, a poor wretch.

भयाचिये पोटीं दुःखाचिया रासी । शरण देवासी जातां भले ॥२॥

In the belly of fear lie heaps of sorrow; it is well to go to God for refuge.

तुका ह्मणे नव्हे काय त्या करितां । चिंतावा तो आतां विश्वंभर ॥३॥

Tuka says: what is not done by doing that? — think now on him who holds the world.

भयाचिये पोटीं दुःखाचिया रासी — "in the belly of fear, heaps of sorrow." Fear is where the sorrow is stored; that is why he keeps returning to it.

Gāthā 2300 · २३००

कां रे नाठविसी कृपाळु देवासीWho makes the milk?

Against worry, by way of three questions.

कां रे नाठविसी कृपाळु देवासी । पोसितो जनासी एकला तो ॥१॥

Why do you not remember the merciful God, who alone feeds the people?

बाळा दुधा कोण करितें उत्पत्ती । वाढवी श्रीपति सवें दोन्ही ॥ध्रु.॥

Who makes the milk for the infant? The Lord of Śrī raises both together.

फुटती तरुवर उष्णकाळमासीं । जीवन तयांसी कोण घाली ॥२॥

Trees crack in the hot season — who gives them water?

तेणें तुझी काय नाहीं केली चिंता । राहे त्या अनंता आठवूनि ॥३॥

Has he not taken care of you? Stay, remembering that Infinite One.

तुका ह्मणे ज्याचें नाम विश्वंभर । त्याचें निरंतर ध्यान करीं ॥४॥

Tuka says: the one whose name is World-Bearer — meditate on him without end.

The argument from milk: it arrives, for the child, without the child arranging it. He is not saying do nothing. He is saying you have been provided for before, without noticing.

Gāthā 3816 · ३८१६

सोइ†यासी करी पाहुणेर बराSpit on his face

A portrait of a certain kind of householder. He clearly had someone in mind.

सोइ†यासी करी पाहुणेर बरा । कांडितो ठोंबरा संता साटीं ॥१॥

For his in-laws he lays on fine hospitality; for the saints he pounds coarse grain.

गाईसी देखोनी बदबदा मारी । घोड्याची चाकरी गोड वाटे ॥ध्रु.॥

Seeing a cow, he beats it, thwack, thwack; serving a horse feels sweet to him.

पान फुल नेतो वेश्येसी उदंड । ब्राह्मणासी खांड देऊं नेदी ॥२॥

Betel and flowers he carries to the courtesan by the armful; to the Brahmin he will not give a lump of sugar.

पर्वकाळीं धर्म न करी नासरी । वेची राजद्वारीं उदंड चि ॥३॥

On holy days he does no charity — he refuses; at the king's door he spends without end.

कीर्त्तना जावया होतसे हींपुष्टी । खेळतो सोंकटीं रात्रंदिवस ॥४॥

To go to kīrtan he feels faint; he plays dice day and night.

बाइलेच्या गोता आवडीनें पोसी । मातापितियासाी दवडितो ॥५॥

His wife's relatives he feeds with fondness; his mother and father he turns out of the house.

तुका ह्मणे त्याच्या थुंका तोंडावरी । जातो यमपुरी भोगावया ॥६॥

Tuka says: spit on his face; he goes to Yama's city to pay for it.

Not a saint's abhang; a neighbour's. Every village still has this man, and every village still agrees with the last line.

Gāthā 4446 · ४४४६

आपटा संवदड रानचाराThe Dasarā plume

On Dasarā, people exchange leaves of the āpṭā tree as "gold." The abhang begins there.

आपटा संवदड रानचारा । दस†याचा होय तुरा ॥१॥

Āpṭā and sauṁdaḍ — wild fodder — become the plume of Dasarā.

तैसा देवामुळें मान । नाहीं तरी पुसें कोण ॥ध्रु.॥

So honour comes because of God; otherwise, who asks after you?

मृत्तिकेची ते घागरी । पाण्यासाटीं बैसे शिरी ॥२॥

A pot of mere clay — for the sake of water, it sits on the head.

तुका ह्मणे माप जाण । दाण्यासवें घेणें देणें ॥३॥

Tuka says: know the measure — it is taken and given along with the grain.

The leaf is worth something one day a year because of what it stands for. So is the pot; so is the measuring-cup. So, he says, are you.

Gāthā 1883 · १८८३

पिकवावें धनThe wealth that measuring does not reduce

From the Shivājī group: advice to a king on what to grow.

पिकवावें धन । ज्याची आस करी जन ॥१॥

Grow the wealth that people hope for.

पुढें उरे खातां देतां । नव्हे खंडण मवितां ॥ध्रु.॥

It remains after eating and giving; measuring it does not reduce it.

खोलीं पडे ओली बीज। तरीं च हातीं लागे निज ॥२॥

The seed falls deep into moist ground — only then does one's own come to hand.

तुका ह्मणे धनी । विठ्ठल अक्षरी हीं तिन्ही ॥३॥

Tuka says: the owner is Viṭṭhal — these three letters.

वि-ठ्ठ-ल, three syllables, named as the proprietor of the only crop that doesn't diminish when shared.

Gāthā 1888 · १८८८

भावापुढें बळBefore faith, no strength is strong

From the same group.

भावापुढें बळ । नाहीं कोणाचे सबळ ॥१॥

Before faith, no one's strength is strong.

करी देवावरी सत्ता । कोण त्याहूनि परता ॥ध्रु.॥

It holds power over God himself — who is beyond that?

बैसे तेथें येती । न पाचारितां सर्व शक्ति ॥२॥

Where it sits, all powers come, uncalled.

तुका ह्मणे राहे । तयाकडे कोण पाहे ॥३॥

Tuka says: the one it stays with — who can even look him in the eye?

भाव — faith, feeling, the inward disposition. He tells a warrior-king that the strongest thing in the world is not force.

Gāthā 1881 · १८८१

नाहीं विचारीतThe cloud does not consider

On generosity without judgement.

नाहीं विचारीत । मेघ हागनदारी सेत ॥१॥

The cloud does not consider: it rains on the dung-heap and on the field.

नये पाहों त्याचा अंत । ठेवीं कारणापें चित्त ॥ध्रु.॥

Do not try to see the end of him; keep your mind on the purpose.

वर्जीत गंगा । नाहीं उत्तम अधम जगा ॥२॥

The Gaṅgā does not exclude; for her there is no high or low in the world.

तुका ह्मणे मळ । नाहीं अग्नीसी विटाळ ॥३॥

Tuka says: dirt is no defilement to fire.

Three things that give without checking who is receiving. He is describing God, and recommending the behaviour.

07 · 2 abhangas

माणूस The measure of a person

For a poet so devoted to God, Tukaram is remarkably uninterested in religious performance. His test of holiness is how you treat the person nobody is looking after; his contempt is reserved for holy men with ash on their bodies; and his list of saints runs through potters, cobblers, a barber, a Muslim weaver and a woman servant.

  1. काय वाणूं आतां न पुरे हे वाणी
  2. जें का रंजलें गांजलें
Gāthā 1505 · १५०५

काय वाणूं आतां न पुरे हे वाणीWhat can I say now

On the saints — and why they are greater than the touchstone that turns iron to gold.

काय वाणूं आतां न पुरे हे वाणी । मस्तक चरणीं ठेवीतसें ॥१॥

What can I say now — speech is not enough; I lay my head at their feet.

थोरींव सांडिली आपुली परिसें । नेणे सिवों कैसें लोखंडासी ॥ध्रु.॥

The touchstone keeps its own grandeur — it does not know how to go and touch the iron.

जगाच्या कल्याणा संतांच्या विभूति । देह कष्टविती उपकारें ॥२॥

For the world's welfare the saints take birth; they wear out their bodies in helping.

भूतांची दया हे भांडवल संतां । आपुली ममता नाहीं देहीं ॥३॥

Compassion for creatures is the saints' capital; they have no attachment to their own bodies.

तुका ह्मणे सुख पराविया सुखें । अमृत हें मुखें जरवतसे ॥४॥

Tuka says: their happiness is in others' happiness; nectar flows from their mouths.

The touchstone waits to be brought iron. The saints go out and find it. That is the whole difference, and it is a difference of effort, not of power.

Gāthā 347 · ३४७

जें का रंजलें गांजलेंWhoever calls the crushed their own

Taught in Maharashtra's Class 10 Marathi textbook. Probably the single most quoted Tukaram abhang on what goodness is.

जें का रंजलें गांजलें । त्यासि म्हणे जो आपुलें ॥१॥

Whoever calls the worn-out and the crushed their own —

तो चि साधु ओळखावा । देव तेथें चि जाणावा ॥ध्रु.॥

know that one to be the saint; know that God is right there.

मृदु सबाह्य नवनीत । तैसें सज्जनाचें चित्त ॥२॥

Soft through and through, like butter — such is the heart of the good.

ज्यासि आपंगिता नाहीं । त्यासि घरी जो हृदयीं ॥३॥

Whoever has no one to shelter them — the one who holds them to their heart.

दया करणें जें पुत्रासी । ते चि दासा आणि दासी ॥४॥

The kindness shown to one's own son, shown to the servants, men and women.

तुका म्हणे सांगूं किती । तो चि भगवंताची मूर्ती ॥५॥

Tuka says, how much more shall I say — that one is the very image of God.

The test is not serenity, or knowledge, or having transcended anything. It is whether you go and sit with the person nobody is sitting with. And it cuts both ways: if you are the crushed one tonight, whoever stays with you is doing the holiest work a person can do.

08 · 7 abhangas

पत्र The letter to Pandharpur

The Gāthā records an episode in its own rubrics: the saint wrote a letter to the Lord of Pandharī and sent it with the saints going on pilgrimage — thirty-six abhangas; then nineteen more while he waited for the answer; then eleven when the saints came back. It is the most human sequence in the book: a man waiting for a reply.

  1. कोणा मुखें ऐसी ऐकेन मी मात
  2. कां माझा विसर पडिला मायबाप
  3. माहेरिंचा काय येईल निरोप
  4. कोठें गुंतलासी कोणांच्या धांवया
  5. कोठें गुंतलासी योगीयांचे ध्यानीं
  6. धांव धांव गरुडध्वजा
  7. भागलेती देवा
Gāthā 1898 · १८९८ · स्वामींनीं पत्र पंढरीनाथास पंढरीस पाठविलें ते अभंग ॥ 66 संतांबरोबर पाठविल्या पत्राचे अभंग 36

कोणा मुखें ऐसी ऐकेन मी मातFrom whose mouth shall I hear it?

The first of the thirty-six.

कोणा मुखें ऐसी ऐकेन मी मात । चाल तुज पंढरिनाथ बोलावितो ॥१॥

From whose mouth shall I hear such news: "Come, the Lord of Pandharī is calling you"?

मग मी न धरीं आस मागील बोभाट । वेगीं धरिन वाट माहेराची ॥ध्रु.॥

Then I will give up my old hopes and complaints; swiftly I will take the road to my mother's house.

निरांजिरें चित्त करितें तळमळ । केधवां देखती मूळ आलें डोळे ॥२॥

The restless heart burns and tosses; when will my eyes see the escort arrive?

तुका ह्मणे कइप भाग्याची उजरी। होईल पंढरी देखावया ॥३॥

Tuka says: when will the day of good fortune dawn, when I shall see Pandharī?

मूळ — the person sent from a woman's parents' house to bring her home. He is waiting to be fetched.

Gāthā 1899 · १८९९

कां माझा विसर पडिला मायबापWhy have you forgotten me?

From the letter.

कां माझा विसर पडिला मायबाप । सांडियेली कृपा कोण्या गुणें ॥१॥

Why have you forgotten me, mother and father? For what fault have you withdrawn your kindness?

कैसा कंठूनियां राहों संवसार । काय एक धीर देऊं मना ॥ध्रु.॥

How am I to endure and stay in this worldly life? What single courage can I give my mind?

नाहीं निरोपाची पावली वारता । करावी ते चिंता ऐसी कांहीं ॥२॥

No word of any message has reached me — some care ought to have been taken.

तुका ह्मणे एक वेचूनि वचन । नाहीं समाधान केलें माझें ॥३॥

Tuka says: not even one word have you spent to give me comfort.

एक वेचूनि वचन — "spending one word." Even words are counted, by a man who has counted everything.

Gāthā 1934 · १९३४ · या पत्राच्या उत्तराच्या मार्गप्रतीक्षेचे अभंग 19

माहेरिंचा काय येईल निरोपCounting the days on my fingers

From the nineteen abhangas written while he waited for the answer.

माहेरिंचा काय येईल निरोप । ह्मणऊनि झोंप नाहीं डोळां ॥१॥

What answer will come from my mother's house? — thinking this, there is no sleep in my eyes.

वाट पाहें आस धरूनियां जीवीं । निडळा हे ठेवीं वरी बाहे ॥ध्रु.॥

I watch the road, holding hope in my heart, my hand shading my brow.

बोटवरी माप लेखितों दिवस । होतों कासावीस धीर नाहीं ॥२॥

I count the days on my fingers; I am wretched; I have no patience.

काय नेणों संतां पडेल विसर । कीं नव्हे सादर मायबाप ॥३॥

I don't know — will the saints forget? Or are the mother and father not attentive?

तुका ह्मणे तेथें होईल दाटणी । कोण माझें आणी मना तेथें ॥४॥

Tuka says: there will be a great crowd there — who will bring me to mind?

The last line is the fear of anyone who has sent a letter into a busy house: it got there, and nobody read it.

Gāthā 1611 · १६११

कोठें गुंतलासी कोणांच्या धांवयाWhere are you caught up?

Five questions, each a different excuse he is prepared to accept.

कोठें गुंतलासी कोणांच्या धांवया । आली देवराया निद्रा तुज ॥१॥

Where are you caught up, running to whose aid? Has sleep come upon you, king of gods?

कोठें गुंतलासी भक्तिप्रेमसुखें । न सुटेती मुखें गोपिकांचीं ॥ध्रु.॥

Where are you caught up — in the joy of love and devotion? The gopīs' mouths will not let you go?

काय पडिलें तुज कोणाचें संकट । दुरी पंथ वाट न चालवे ॥२॥

What trouble of whose has fallen on you? Is the road long, the path too hard to walk?

काय माझे तुज गुण दोष दिसती । ह्मणोनि श्रीपती कोपलासी ॥३॥

Do my faults and failings show to you? Is that why, Śrīpati, you are angry?

काय जालें सांग माझिया कपाळा । उरला जीव डोळां तुका ह्मणे ॥४॥

Tell me, what has become of my fate? Life remains only in my eyes, says Tuka.

He offers God every reason he can think of for the silence — you're busy, you're asleep, you're with someone else, I've offended you — before the last line admits that none of them helps.

Gāthā 3981 · ३९८१

कोठें गुंतलासी योगीयांचे ध्यानींHow long must I watch the road?

The same question, later in the Gāthā.

कोठें गुंतलासी योगीयांचे ध्यानीं । आनंदकीर्तनीं पंढरीच्या ॥१॥

Where are you caught up — in the yogis' meditation, in the joyful kīrtan at Pandharī?

काय काज कोठें पडलीसे गुंती । कानीं न पडती बोल माझे ॥ध्रु.॥

What work, where, has tangled you? My words do not reach your ears.

काय शेषनशयनीं सुखनिद्रा आली । सोय कां सांडिली तुह्मी देवा ॥२॥

Did sweet sleep come to you on the serpent-bed? Have you abandoned the way, God?

तुका ह्मणे कोठें गुंतलेती सांगा । किती पांडुरंगा वाट पाहूं ॥३॥

Tuka says: tell me where you are caught up — how long, Pāṇḍuraṅg, must I watch the road?

Sung by Bhīmsen Joshī. The third line is the oldest image in the religion — Viṣṇu asleep on the cosmic serpent — used as a mild accusation.

Gāthā 2443 · २४४३

धांव धांव गरुडध्वजाRun — don't walk

The whole prayer is the pace it asks for.

धांव धांव गरुडध्वजा । आह्मां अनाथांच्या काजा ॥१॥

Run, run, you whose banner is Garuḍa — for the sake of us orphans.

बहु जालों कासावीस । ह्मणोनि पाहें तुझी वास ॥ध्रु.॥

I have become very wretched; so I watch for your coming.

पाहें पाहें त्या मारगें । कोणी येतें माझ्या लागें ॥२॥

I look and look along that road — is someone coming for me?

असोनियां ऐसा । तुज सारिखा कोंवसा ॥३॥

Though there is one like you, such a shelter —

न लवावा उशीर । नेणों कां हा केला धीर ॥४॥

do not delay; I don't know why you have held back.

तुका ह्मणे चाली । नको चालूं धांव घालीं ॥५॥

Tuka says: don't walk — come at a run.

चाली नको चालूं, धांव घालीं — don't walk, run. The last line of a prayer, and it is an instruction about speed.

Gāthā 1953 · १९५३ · व संत परत आले त्यांची भेट झाली ते अभंग 11

भागलेती देवाYou must be tired

The saints have come back from Pandharpur with the answer. He greets them as if God himself had walked home.

भागलेती देवा । माझा नमस्कार घ्यावा ॥१॥

You are weary, God; accept my salutation.

तुह्मी क्षेम कीं सकळ । बाळ अवघे गोपाळ ॥ध्रु.॥

Are you all well — all the children, the cowherds?

मारगीं चालतां । श्रमलेती येतां जातां ॥२॥

Walking the road, you have grown tired, coming and going.

तुका ह्मणे कांहीं । कृपा आहे माझ्या ठायीं ॥३॥

Tuka says: some grace is still upon me.

After fifty-five abhangas of waiting, the reply arrives and he asks whether they had a tiring journey. It is what you say at the door to someone you love.

09 · 6 abhangas

पंढरी Pandharpur

The town on the Bhīmā where Viṭṭhal stands, and where the Wārkarīs walk every year in Āṣāḍh. Tukaram calls it माहेर — a married woman's mother's house, the place you are allowed to go home to.

  1. पावलों पंढरी वैकुंठभवन
  2. पंढरीसी जावें ऐसें माझें मनीं
  3. आपुल्या माहेरा जाईन मी आतां
  4. आतां कोठें धांवे मन
  5. दाटे कंठ लागे डोळियां पाझर
  6. जन्मोजन्मींची संगत
Gāthā 3884 · ३८८४

पावलों पंढरी वैकुंठभवनI have reached Pandharī

Sung by Bhīmsen Joshī. Six lines, each beginning with the same three words.

पावलों पंढरी वैकुंठभवन । धन्य आजि दिन सोनियाचा ॥१॥

I have reached Pandharī, the mansion of Vaikuṇṭha; blessed is this day, a day of gold.

पावलों पंढरी आनंदगजरें । वाजतील तुरें शंख भेरी ॥ध्रु.॥

I have reached Pandharī in a roar of joy; the trumpets will sound, the conches and drums.

पावलों पंढरी क्षेमआलिंगनीं । संत या सज्जनीं निवविलें ॥२॥

I have reached Pandharī, into welcoming embraces; the saints, the good, have cooled me.

पावलों पंढरी पार नाहीं सुखा । भेटला हा सखा मायबाप ॥३॥

I have reached Pandharī; there is no end to the joy; I have met this friend, my mother and father.

पावलों पंढरी येरझार खुंटली । माउली वोळली प्रेमपान्हा ॥४॥

I have reached Pandharī; the coming and going has ended; the mother's milk of love has flowed.

पावलों पंढरी आपुलें माहेर । नाहीं संवसार तुका ह्मणे ॥५॥

I have reached Pandharī, my own mother's house; there is no worldly life here, says Tuka.

Walk it for three weeks and you will understand the repetition. You say it to make it true.

Gāthā 3931 · ३९३१

पंढरीसी जावें ऐसें माझें मनींWhen will I meet Viṭhāī, my mother?

Three lines.

पंढरीसी जावें ऐसें माझें मनीं । विठाई जननी भेटे केव्हां ॥१॥

To go to Pandharī — that is in my mind; when will I meet Viṭhāī, my mother?

न लगे त्याविण सुखाचा सोहळा । लागे मज ज्वाळा अिग्नचिया ॥२॥

Without that, no festival of joy will do; the flames of a fire are burning me.

तुका ह्मणे त्याचे पाहिलिया पाय । मग दुःख जाय सर्व माझें ॥३॥

Tuka says: once I have seen his feet, then all my sorrow goes.

विठाई — Viṭṭhal with the feminine ending, as a mother's name.

Gāthā 1587 · १५८७

आपुल्या माहेरा जाईन मी आतांI will go to my mother's house now

Sung by Devakī Paṇḍit. The escort has been sent; the daughter is packing.

आपुल्या माहेरा जाईन मी आतां । निरोप या संतां हातीं आला ॥१॥

I will go to my mother's house now; the message has come, by the saints' hands.

सुख दुःख माझें ऐकिलें कानीं । कळवळा मनीं करुणेचा ॥ध्रु.॥

They have heard my joys and sorrows; there is tenderness and compassion in their hearts.

करुनी सिद्ध मूळ साउलें भातुकें । येती दिसें एकें न्यावयासी ॥२॥

Having readied the escort, with shade and food for the road, they will come one day to take me.

त्या चि पंथें माझें लागलेंसे चित्त । वाट पाहें नित्य माहेराची ॥३॥

My heart has fixed itself on that very road; daily I watch the way to my mother's house.

तुका ह्मणे आतां येतील न्यावया । अंगें आपुलिया मायबाप ॥४॥

Tuka says: now they will come to take me — my mother and father, in person.

Every Maharashtrian woman of his time knew the feeling of waiting for the मूळ from home. He borrows it whole.

Gāthā 3734 · ३७३४

आतां कोठें धांवे मनNow where would the mind run?

Sung by Bhīmsen Joshī and Sanjeev Abhyankar. The arrival.

आतां कोठें धांवे मन । तुझे चरण देखिलिया ॥१॥

Now where would the mind run? — it has seen your feet.

भाग गेला सीण गेला । अवघा जाला आनंदु ॥ध्रु.॥

The weariness is gone, the strain is gone; everything has become joy.

प्रेमरसें बैसली मिठी । आवडी लाठी मुखासी ॥२॥

Love's embrace has taken hold; delight is strong on the tongue.

तुका ह्मणे आह्मां जोगें । विठ्ठल घोगें खरें माप ॥३॥

Tuka says: what suits us is this — Viṭṭhal, the one true measure.

Set this beside "My mind will not stay still" in the Prayers chapter. Same mind, same man; the difference is what it has in front of it.

Gāthā 2413 · २४१३

दाटे कंठ लागे डोळियां पाझरMy throat chokes, my eyes stream

Sung by Bhīmsen Joshī.

दाटे कंठ लागे डोळियां पाझर । गुणाची अपार वृष्टि वरी ॥१॥

My throat chokes, my eyes stream — a boundless rain of your qualities falls on me.

तेणें सुखें छंदें घेईन सोंहळा । होऊनि निराळा पापपुण्यां ॥ध्रु.॥

In that happiness I will take my delight, my festival, standing apart from sin and merit.

तुझ्या मोहें पडो मागील विसर । आलापें सुस्वर करिन कंठ ॥२॥

In the spell of your love let the past be forgotten; I will make my throat sweet with song.

तुका ह्मणे येथें पाहिजे सौरस । तुह्मांविण रस गोड नव्हे ॥३॥

Tuka says: here, relish is what is needed; without you, no taste is sweet.

सौरस — relish, savour. A word from the kitchen for what is missing from a life without love.

Gāthā 4063 · ४०६३

जन्मोजन्मींची संगतThe thread of love will not snap

The meeting, and what it does to the one who waited.

जन्मोजन्मींची संगत । भेटी जाली अकस्मात ॥१॥

Companionship of birth after birth — and the meeting came all at once.

आतां सोडितां सुटेना । तंतु प्रीतीचा तुटेना ॥ध्रु.॥

Now, try to let go and it will not let go; the thread of love will not snap.

माझें चित्त तुझ्या पायां । मिठी पडिली पंढरिराया ॥२॥

My heart at your feet — the embrace has happened, king of Pandharī.

तुका ह्मणे अंतीं । तुझी माझी एक गति ॥३॥

Tuka says: at the end, yours and mine is one destination.

अकस्मात — suddenly, after lifetimes. That is how he says it always arrives.

10 · 6 abhangas

नाम The Name

The one practice Tukaram recommends without qualification: say the name. Not because of what it earns but because, as he puts it in the loveliest abhang here, God does not know how sweet his own name is — only the people who say it do.

  1. कमोदिनी काय जाणे तो परिमळ
  2. आम्हां घरीं एक गाय दुभता हे
  3. नाम घेतां उठाउठीं
  4. वेद अनंत बोलिला
  5. लागोनियां पायां विनवितों तुम्हाला
  6. तुझें नाम माझे मुखी असो देवा
Gāthā 533 · ५३३

कमोदिनी काय जाणे तो परिमळWhat does the lotus know of its fragrance?

Sung by Lata Mangeshkar.

कमोदिनी काय जाणे तो परिमळ । भ्रमर सकळ भोगीतसे ॥१॥

What does the lotus know of its own fragrance? The bee enjoys it all.

तैसें तुज ठावें नाहीं तुझें नाम । आम्ही च तें प्रेमसुख जाणों ॥ध्रु.॥

So you do not know your own name; it is we who know the joy of its love.

माते तृण बाळा दुधाची ते गोडी । ज्याची नये जोडी त्यासी कामा ॥२॥

For the mother, grass; for the calf, the sweetness of the milk — each is useless to the one who cannot have it.

तुका म्हणे मुक्ताफळ शिंपीपोटीं । नाहीं त्याची भेटी भोग तिये ॥३॥

Tuka says: the pearl in the oyster's belly — it never meets the enjoyment of itself.

The flower cannot smell itself; the cow eats grass and makes milk she never tastes; the pearl is never worn by the oyster. The one who says the name has something God does not.

Gāthā 156 · १५६ · गाई - अभंग १

आम्हां घरीं एक गाय दुभता हेOne milch cow

Under the rubric "गाई" — the cow. A riddle: the cow is God.

आम्हां घरीं एक गाय दुभता हे । पान्हा न समाये त्रिभुवनीं ॥१॥

In our house there is one milch cow; her milk does not fit in the three worlds.

वान ते सांवळी नांव ते श्रीधरा । चरे वसुंधरा चौदा भुवनें ॥ध्रु.॥

Her colour is dark; her name is Śrīdhar; she grazes the earth, the fourteen worlds.

वत्स नाहीं माय भलत्या सवें जाय । कुर्वाळी तो लाहे भावभरणा ॥२॥

She has no calf of her own; she goes with anyone; whoever strokes her gets a bellyful of love.

चहूं धारीं क्षीर वोळली अमुप । धाले सनकादिक सिद्ध मुनी ॥३॥

From four teats the milk flows beyond measure; Sanaka and the sages, the siddhas, are sated.

तुका म्हणे माझी भूक तेथें काय । जोगाविते माय तिन्ही लोकां ॥४॥

Tuka says: what is my hunger there? The mother feeds all three worlds.

"She has no calf of her own; she goes with anyone" — the whole theology of the name, in a line about a cow.

Gāthā 2770 · २७७०

नाम घेतां उठाउठींTake the Name and at once

Sung in the 1936 film.

नाम घेतां उठाउठीं । होय संसारासी तुटी ॥१॥

Take the Name and at once the tie to worldly life is cut.

ऐसा लाभ बांधा गांठी । विठ्ठलपायीं पडे मिठी ॥ध्रु.॥

Tie this profit into your knot: an embrace falls at Viṭṭhal's feet.

नामापरतें साधन नाहीं । जें तूं करिशी आणिक कांहीं ॥२॥

There is no practice beyond the Name, whatever else you may do.

हाकारोनि सांगे तुका । नाम घेतां राहों नका ॥३॥

Calling out, Tuka tells you: don't hold back from taking the Name.

बांधा गांठी — tie it in the knot of your cloth, where a trader keeps the day's coins.

Gāthā 4049 · ४०४९

वेद अनंत बोलिलाThe Veda spoke endlessly

Sung in the 2025 film. All of scripture, reduced to one instruction.

वेद अनंत बोलिला । अर्थ इतका चि शोधिला ॥१॥

The Veda spoke endlessly; this much meaning was found in it:

विठोबासी शरण जावें । निजनिष्ट नाम गावें ॥ध्रु.॥

go to Viṭhobā for refuge; sing the Name with your own steadfast heart.

सकळशास्त्रांचा विचार । अंतीं इतका चि निर्धार ॥२॥

The thought of all the śāstras — in the end, only this much is settled.

अठरापुराणीं सिद्धांत । तुका ह्मणे हा चि हेत ॥३॥

The conclusion of the eighteen Purāṇas, Tuka says, is this one intent.

He had been told he was not entitled to read the Vedas. His reply was to summarise them.

Gāthā 2864 · २८६४

लागोनियां पायां विनवितों तुम्हालाClap your hands, say the name

Sung by Prabhākar Kārekar.

लागोनियां पायां विनवितों तुम्हाला । करें टाळी बोला मुखें नाम ॥१॥

Falling at your feet I beg you all: clap your hands, speak the Name with your mouth.

विठ्ठल विठ्ठल म्हणा वेळोवेळां । हा सुखसोहळा स्वगाअ नाहीं ॥ध्रु.॥

Say "Viṭṭhal, Viṭṭhal" again and again; this festival of joy is not even in heaven.

कृष्ण विष्णु हरि गोविंद गोपाळ । मार्ग हा प्रांजळ वैकुंठीचा ॥२॥

Kṛṣṇa, Viṣṇu, Hari, Govinda, Gopāḷ — this is the straight road to Vaikuṇṭha.

सकळांसीं येथें आहे अधिकार । कलयुगीं उद्धार हरिनामें ॥३॥

Everyone here has the right to it; in the Kali age, deliverance is by the name of Hari.

तुका ह्मणे नामापाशीं चारी मुक्ति । ऐसें बहुग्रंथीं बोलियेलें ॥४॥

Tuka says: the four liberations wait upon the Name — so many books have said.

सकळांसीं येथें आहे अधिकार — "everyone here has the right." In a century that spent a great deal of energy deciding who was entitled to what, this was the radical line.

Gāthā 4450 · ४४५०

तुझें नाम माझे मुखी असो देवाLet your name be in my mouth

Three lines, to Rām rather than Viṭṭhal — the names were interchangeable to him.

तुझें नाम माझे मुखी असो देवा । विनवितों राघवा दास तुझा ॥१॥

Let your name be in my mouth, God; I beg you, Rāghav — I am your servant.

तुझ्या नामबळें तरले पतित । ह्मणोनि माझें चित्त तुझे पायीं ॥२॥

By the strength of your name the fallen have crossed over; therefore my heart is at your feet.

तुका ह्मणे तुझें नाम हें सादर । गातां निरंतर सुख वाटे ॥३॥

Tuka says: your name, taken with reverence, sung without end, gives joy.

11 · 4 abhangas

लहानपण आणि शब्द Smallness, and words

Two of his answers to a life that had taken almost everything: to become small enough that nothing could take the rest; and to keep the one possession that famine and orthodoxy could not remove — words.

  1. उजळावया आलों वाटा
  2. तिहीं त्रिभुवनीं
  3. सत्तावर्त्ते मन
  4. लाहानपण दे गा देवा
Gāthā 318 · ३१८

उजळावया आलों वाटाTo light up the roads

On why he writes, and whose words they are.

उजळावया आलों वाटा । खरा खोटा निवाड ॥१॥

I have come to light up the roads — to decide what is true and what false.

बोलविले बोल बोलें । धनीविठ्ठला सन्निध ॥ध्रु.॥

The words I speak are words I was made to speak, close by the master, Viṭṭhal.

तरी मनीं नाहीं शंका । बळें एका स्वामीच्या ॥२॥

So there is no doubt in my mind, by the strength of the one Lord.

तुका म्हणे नये आम्हां । पुढें कामा गबाळ ॥३॥

Tuka says: careless, slovenly work will not do for us, in what lies ahead.

गबाळ — sloppy. A saint telling himself to be careful about craftsmanship.

Gāthā 1885 · १८८५

तिहीं त्रिभुवनींMasters of glory

From the Shivājī group: what he says to a king about who is powerful.

तिहीं त्रिभुवनीं । आह्मी वैभवाचे धनी ॥१॥

In all three worlds, we are the masters of glory.

हातां आले घाव डाव । आमचा मायबाप देव ॥ध्रु.॥

The blows and the moves are in our hands; our mother and father is God.

काय त्रिभुवनीं बळ। अंगीं आमुच्या सकळ ॥२॥

What strength is there in the three worlds? All of it is in our body.

तुका ह्मणे सत्ता । अवघी आमुची च आतां ॥३॥

Tuka says: the whole authority is ours now.

Said by a bankrupt to a king. The smallness he asks for elsewhere and the sovereignty he claims here are the same position, seen from two sides.

Gāthā 1890 · १८९०

सत्तावर्त्ते मनThe running is over

On obedience, as relief.

सत्तावर्त्ते मन । पाळी विठ्ठलाची आन ॥१॥

The mind under command keeps Viṭṭhal's oath.

आज्ञा वाहोनियां शिरीं । सांगितलें तें चि करीं ॥ध्रु.॥

Carrying his order on my head, I do only what I was told.

सरलीसे धांव । न लगे वाढवावी हांव ॥२॥

The running is over; there is no need to feed the craving.

आहे नाहीं त्याचें । तुका ह्मणे कळे साचें ॥३॥

What is and what isn't is his — Tuka says, that is truly understood.

सरलीसे धांव — "the running has finished." For a mind that has been running for years, that is not a loss of freedom.

Gāthā 1277 · १२७७

लाहानपण दे गा देवाGive me smallness, God

On Wikisource the first word is spelled लाहानपण, the older form; it is sung today as लहानपण.

लाहानपण दे गा देवा । मुंगी साखरेचा रवा ॥१॥

Give me smallness, God — the ant is the one who gets the grain of sugar.

ऐरावत रत्न थोर । तया अंकुशाचा मार ॥ध्रु.॥

Airāvat, the great jewel among elephants — gets the blow of the goad.

ज्याचे अंगीं मोठेपण । तया यातना कठीण ॥२॥

Whoever carries bigness carries hard suffering.

तुका ह्मणे जाण । व्हावें लाहनाहुनि लाहन ॥३॥

Tuka says, understand this: become smaller than the small.

Every other voice asks for strength or clarity or stillness. He asks for smallness. Almost all the fear a person carries in a city is fear attached to bigness — being seen to fail, losing the position, not being enough. His way out is not to grow bigger than the fear. It is to want less of the size the fear is attached to.

12 · 26 abhangas

आनंद Joy

There is less joy in the Gāthā than longing, which is perhaps why the joy, when it comes, sounds so unguarded.

  1. खेळ मांडियेला वाळवंटीं घाई
  2. आपुलें मरण पाहिलें म्यां डोळां
  3. काळ सार्थक केला त्यांणी
  4. सदा माझे डोळे जडो तुझे मूर्ती
  5. बरें जालें देवा निघालें दिवाळें
  6. बरा कुणबी केलों
  7. सद्गुरुरायें कृपा मज केली
  8. नामदेवें केलें स्वप्नामाजी जागें
  9. थोर अन्याय केला तुझा अंत म्यां पाहिला
  10. दिवट्या छत्री घोडे
  11. आम्ही वैकुंठवासी
  12. रात्री दिवस आह्मां युद्धाचा प्रसंग
  13. वृक्ष वल्ली आह्मां सोयरीं वनचरें
  14. हे चि थोर भक्ति आवडती देवा
  15. ओलें मूळ भेदी खडकाचें अंग
  16. नाहीं निर्मळ जीवन
  17. जळो माझें कर्म वायां केली कटकट
  18. उपकारासाटीं बोलों हे उपाय
  19. मऊ मेनाहूनि आह्मी विष्णुदास
  20. ऐसे कैसे जाले भोंदू
  21. वैद वाचविती जीवा
  22. पवित्र तें कुळ पावन तो देश
  23. विष्णुमय जग वैष्णवांचा धर्म
  24. आह्मां घरीं धन शब्दाचीं रत्नें
  25. अणुरणीयां थोकडा
  26. आनंदाचे डोहीं आनंदतरंग
Gāthā 189 · १८९ · टिपरी - अभंग ७

खेळ मांडियेला वाळवंटीं घाईThe dance on the sandbank

Sung by Lata Mangeshkar. The Wārkarīs dancing on the river sand at Pandharpur; the lines are long and run in pairs.

खेळ मांडियेला वाळवंटीं घाई । नाचती वैष्णव भाई रे । क्रोध अभिमान केला पावटणी । एक एका लागतील पायीं रे ॥१॥

The play is set up on the sandbank in a rush; the Vaiṣṇav brothers dance. Anger and pride they have made their footstool; they fall at one another's feet.

नाचती आनंदकल्लोळीं । पवित्र गाणें नामावळी । कळिकाळावरि घातलीसे कास । एक एकाहुनी बळी रे ॥ध्रु.॥

They dance in waves of joy, singing the holy string of names; they have girded themselves against time and death — each one mightier than the next.

गोपीचंदनउटी तुळसीच्या माळा । हार मिरवती गळां । टाळ मृदंग घाई पुष्पवरुषाव । अनुपम्य सुखसोंहळा रे ॥२॥

Sandal-paste and tulsī garlands, necklaces bright at their throats; cymbals, drums, a hurry, a rain of flowers — a festival of joy beyond compare.

लुब्धलीं नादीं लागली समाधी । मूढ जन नर नारी लोकां । पंडित ज्ञानी योगी महानुभाव । एकचि सद्धिसाधकां रे ॥३॥

Lost in the sound, fallen into samādhi — simple folk, men and women; pandits, sages, yogis, the great — all one, siddhas and seekers alike.

वर्णाभिमान विसरली याति । एकएकां लोटांगणीं जाती । निर्मळ चित्तें जालीं नवनीतें । पाषाणा पाझर सुटती रे ॥४॥

Pride of caste forgotten, the castes prostrate to one another; hearts made pure as fresh butter; the stones begin to weep.

होतो जयजयकार गर्जत अंबर । मातले हे वैष्णव वीर रे । तुका म्हणे सोपी केली पायवाट । उतरावया भवसागर रे ॥५॥

Shouts of victory thunder to the sky; these Vaiṣṇav warriors are drunk with it. Tuka says: the footpath has been made easy, to cross the ocean of this world.

वर्णाभिमान विसरली याति — "pride of caste forgotten." He is describing a crowd he stood in. The equality is not argued for; it is reported, as something that happens when people dance.

Gāthā 2659 · २६५९

आपुलें मरण पाहिलें म्यां डोळांI saw my own death

Not a deathbed poem — a poem about watching the ego die, and finding the rest of the world still there.

आपुलें मरण पाहिलें म्यां डोळां । तो जाला सोहळा अनुपम्य ॥१॥

I saw my own death with my own eyes; that was a festival beyond compare.

आनंदे दाटलीं तिन्ही त्रिभुवनें । सर्वात्मकपणें भोग जाला ॥ध्रु.॥

The three worlds were flooded with joy; I enjoyed it as the self of all.

एकदेशीं होतों अहंकारें आथिला । त्याच्या त्यागें जाला सुकाळ हा ॥२॥

I had been confined to one place, puffed up with ego; by giving that up, this abundance came.

फिटलें सुतक जन्ममरणाचें । मी माझ्या संकोचें दुरी जालों ॥३॥

The pollution of birth and death was wiped away; I went far from my own narrowness.

नारायणें दिला वस्तीस ठाव । ठेवूनियां भाव ठेलों पायीं ॥४॥

Nārāyaṇ gave me a place to dwell; setting down my faith, I stayed at his feet.

तुका ह्मणे दिलें उमटूनि जगीं । घेतलें तें अंगीं लावूनियां ॥५॥

Tuka says: he gave it, printed, to the world; what I took, I took upon my body.

एकदेशीं होतों — "I was in one place," confined to a single point of view. The death he celebrates is the death of that.

Gāthā 4447 · ४४४७

काळ सार्थक केला त्यांणीThey made their time worthwhile

Four lines of summary.

काळ सार्थक केला त्यांणी । धरिला मनीं विठ्ठल ॥१॥

They made their time worthwhile who held Viṭṭhal in their minds.

नाम वाचे श्रवण कीर्त्ति । पाउलें चित्तीं समान ॥ध्रु.॥

The name on the tongue, his fame in the ear, his feet in the heart — all alike.

कीर्त्तनाचा समारंभ । निदपभ सर्वदा ॥२॥

The celebration of kīrtan, always without pretence.

तुका ह्मणे स्वरूपसिद्धि । नित्य समाधि हरिनामीं ॥३॥

Tuka says: the attainment of one's true form — perpetual samādhi in the name of Hari.

Gāthā 3 · ३

सदा माझे डोळे जडो तुझे मूर्तीMay my eyes stay on you

The third abhang. Its refrain, गोड तुझें रूप गोड तुझें नाम, is often sung on its own and credited loosely; it belongs here.

सदा माझे डोळे जडो तुझे मूर्ती । रखुमाईच्या पती सोयरिया ॥१॥

May my eyes stay fixed on your form always, husband of Rakhumāī, my own kin.

गोड तुझें रूप गोड तुझें नाम । देईं मज प्रेम सर्व काळ ॥ध्रु.॥

Sweet is your form, sweet your name — give me love for you at every moment.

विठो माउलिये हा चि वर देईं । संचरोनि राहीं हृदयामाजी ॥२॥

Mother Viṭhu, grant me just this: come in and stay within my heart.

तुका म्हणे कांहीं न मागे आणीक । तुझे पायीं सुख सर्व आहे ॥३॥

Tuka says, I ask for nothing else; every happiness is at your feet.

Notice what he calls the god: सोयरिया, kin, and then माउली, mother — a male god addressed as mother. The Wārkarī tradition does this constantly, and it tells you what kind of relationship this is meant to be. Not a king and a subject. A child and the one it runs to.

Gāthā 1330 · १३३०

बरें जालें देवा निघालें दिवाळेंGood that I went bankrupt

The most startling abhang in the Gāthā, and the one most easily misused. Written after the famine and the failure of his business.

बरें जालें देवा निघालें दिवाळें । बरी या दुष्काळें पीडा केली ॥१॥

Good that it happened, God — I went bankrupt; good that this famine tormented me.

अनुतापें तुझें राहिलें चिंतन । जाला हा वमन संवसार ॥ध्रु.॥

In the remorse, my mind stayed on you; this worldly life I have vomited out.

बरें जालें जगीं पावलों अपमान । बरें गेलें धन ढोरें गुरें ॥३॥

Good that I was humiliated in the world; good that the money went, and the cattle and the herds.

बरें जालें नाहीं धरिली लोकलाज । बरा आलों तुज शरण देवा ॥४॥

Good that I stopped caring what people would say; good that I came to you for refuge, God.

बरें जालें तुझें केलें देवाईल । लेंकरें बाईल उपेक्षिलीं ॥५॥

Good that I gave myself to your temple — and neglected my children and my wife.

तुका ह्मणे बरें व्रत एकादशी । केलें उपवासीं जागरण ॥६॥

Tuka says: good, too, the Ekādashī vow — the fasting and the night-long waking.

This is not "everything happens for a reason." Look at the fifth line: good that I neglected my children and my wife. No one says that as a boast. He is holding up the whole wreck of his life, including the parts he is ashamed of, and refusing to pretend any of it went differently. The "good" is bitter before it is grateful.

A caution, because this page is part of a mental-health project: this is a thing a person may say about their own loss, after a long time. It is not a thing to say to someone else about theirs.

Gāthā 320 · ३२०

बरा कुणबी केलोंGood that you made me a Kunbi

The orthodox mocked him for writing scripture as a Kunbī — a farming caste — in Marathi, not Sanskrit. This is his answer.

बरा कुणबी केलों । नाहीं तरि दंभेंचि असतों मेलों ॥१॥

Good that you made me a Kunbī; otherwise I'd have died of pretension.

भलें केलें देवराया । नाचे तुका लागे पायां ॥ध्रु.॥

You did well, king of gods — Tuka dances and falls at your feet.

विद्या असती कांहीं । तरी पडतों अपायीं ॥२॥

Had I had some learning, I would have fallen into harm.

सेवा चुकतों संताची । नागवण हे फुकाची ॥३॥

I would have missed serving the saints — a loss for nothing.

गर्व होता ताठा । जातों यमपंथें वाटा ॥४॥

Pride and stiffness would have taken me down the road to Yama.

तुका म्हणे थोरपणें । नरक होती अभिमानें ॥५॥

Tuka says: greatness brings hell by way of vanity.

The insult was "you are only a Kunbī." The reply is: yes, and thank God. It is the same move as लहानपण दे गा देवा further down this page — smallness not as a wound to be healed but as the safest place to stand.

Gāthā 368 · ३६८ · स्वामीस सद्गुरूची कृपा जाली ॥ - अभंग ४

सद्गुरुरायें कृपा मज केलीThe guru who came in a dream

How he was initiated — in a dream, by a guru named Bābājī, who gave him the mantra every Wārkarī still chants.

सद्गुरुरायें कृपा मज केली । परी नाहीं घडली सेवा कांहीं ॥१॥

The king of true gurus showed me grace, though I had done him no service at all.

सांपडविलें वाटे जातां गंगास्नाना । मस्तकीं तो जाणा ठेविला कर ॥ध्रु.॥

He found me on the road as I went to bathe in the river, and placed his hand on my head.

भोजना मागती तूप पावशेर । पडिला विसर स्वप्नामाजी ॥२॥

He asked for a quarter-measure of ghee for his meal — in the dream, I forgot.

कांहीं कळहे उपजला अंतराय । म्हणोनियां काय त्वरा जाली ॥३॥

Some obstacle, some trouble came between us; perhaps that is why he left in such a hurry.

राघवचैतन्य केशवचैतन्य । सांगितली खुण माळिकेची ॥४॥

Rāghav Chaitanya, Keshav Chaitanya — he told me the line of the lineage.

बाबाजी आपलें सांगितलें नाम । मंत्र दिला राम कृष्ण हरि ॥५॥

He told me his own name, Bābājī, and gave me the mantra: Rāma Kṛṣṇa Hari.

माघाशुद्ध दशमी पाहुनि गुरुवार । केला अंगीकार तुका म्हणे ॥६॥

Choosing the tenth of bright Māgh, a Thursday, he accepted me, says Tuka.

The detail that makes this believable is the ghee. He forgot to bring it. Even in the dream in which he is chosen, he fails at the one small thing asked of him — and is chosen anyway. The mantra he received, राम कृष्ण हरि, is the one you will hear at every Wārkarī gathering today.

in the whole Gāthā → link
text notes

Corrected from obvious legacy-font errors in the Wikisource transcription: सद्गुारायें → सद्गुरुरायें; कैशवचैतन्य → केशवचैतन्य; मळिकेची → माळिकेची.

Gāthā 1315 · १३१५ · नामदेव व पांडुरंग यांनी स्वप्नांत येऊन स्वामींस आज्ञा केली कीं कवित्व करणें - ते अभंग ॥२

नामदेवें केलें स्वप्नामाजी जागेंNāmdev woke me: make poetry

A second dream: the saint Nāmdev, three centuries dead, comes with Viṭṭhal and gives him his work.

नामदेवें केलें स्वप्नामाजी जागें । सवें पांडुरंगें येऊनियां ॥१॥

Nāmdev woke me in a dream, and Pāṇḍuraṅg came with him.

सांगितलें काम करावें कवित्व । वाउगें निमित्य बोलों नको ॥ध्रु.॥

He gave me the work: make poetry — do not speak idly, for no reason.

माप टाकी सळ धरिली विठ्ठलें । थापटोनि केलें सावधान ॥२॥

Viṭṭhal set out the measure and held me to it; patting me, he woke me fully.

प्रमाणाची संख्या सांगे शत कोटी । उरले शेवटीं लावी तुका ॥३॥

He named the reckoning — a hundred crore; what was left at the end, Tuka completes.

The tradition behind the last line: Nāmdev had vowed to compose a hundred crore abhangas and died short of it. Tukaram understood himself as finishing someone else's work. Not a founder. An heir, picking up where the last one put the pen down.

Gāthā 2231 · २२३१ · स्वामींनीं तेरा दिवस निद्रा केली. मग भगवंतें येऊन समाधान केलें कीं, कवित्व कोरडें आहे तें काढणें उदकांतून

थोर अन्याय केला तुझा अंत म्यां पाहिलाYou kept the papers safe in the water

The orthodox made him sink his notebooks in the Indrāyaṇī. He sat by the river without food for thirteen days. This is what he wrote when, the tradition says, they came back.

थोर अन्याय केला तुझा अंत म्यां पाहिला । जनाचिया बोलासाटीं चित्त क्षोभविलें ॥१॥

I did you a great wrong — I tested you to the very end; for the sake of people's talk, I troubled your heart.

भागविलासी केला सीण अधम मी यातिहीन । झांकूनि लोचन दिवस तेरा राहिलों ॥ध्रु.॥

I wore you out — I, the lowly one, without caste; I sat with my eyes closed for thirteen days.

अवघें घालूनियां कोडें तानभुकेचें सांकडें । योगक्षेम पुढें तुज करणें लागेल ॥२॥

I laid it all before you as a riddle — the crisis of thirst and hunger; you had to see to my welfare.

उदकीं राखिले कागद चुकविला जनवाद । तुका ह्मणे ब्रीद साच केलें आपुलें ॥३॥

You kept the papers safe in the water; you ended the people's slander. Tuka says, you made your promise true.

Whatever you make of the miracle, look at who apologises. Not the Brahmins who drowned his work. Tukaram — for having made God go to such trouble on his behalf. It is the tenderest line in the story, and the least told.

Gāthā 1878 · १८७८ · शिवाजी राजे यांनीं स्वामींस अबदागिरी, घोडा, कारकून असे न्यावयास पाठविले ते अभंग ॥ 14

दिवट्या छत्री घोडेTorches, parasols, horses

The Gāthā prints this under a heading saying Shivājī Rāje sent the saint a parasol, a horse and a clerk to bring him to court. Tradition holds they met; historians have found no contemporary record.

दिवट्या छत्री घोडे । हें तों ब†यांत न पडे ॥१॥

Torches, parasols, horses — these do not suit my state.

आतां येथें पंढरिराया । मज गोविसी कासया ॥ध्रु.॥

Now, king of Pandharī, why tangle me up in this?

मान दंभ चेष्टा। हे तों शूकराची विष्ठा ॥२॥

Honour, pomp, performance — these are the dung of swine.

तुका ह्मणे देवा । माझे सोडववणे धांवा ॥३॥

Tuka says: God, run and set me free.

He does not refuse the king. He asks God to get him out of it. The offer frightens him more than the famine did.

Gāthā 520 · ५२०

आम्ही वैकुंठवासीWhy we came

A statement of purpose, sung at Dasarā. Here he speaks as "we" — the Wārkarīs.

आम्ही वैकुंठवासी । आलों या चि कारणासी । बोलिले जे ॠषी । साच भावें वर्ताव्या ॥१॥

We live in Vaikuṇṭha; we have come for this very reason — to live out, in true feeling, what the sages said.

झाडूं संतांचे मारग । आडरानें भरलें जग । उच्छिष्टाचा भाग । शेष उरलें तें सेवूं ॥ध्रु.॥

We will sweep clean the paths of the saints; the world has grown into a wilderness. Of what is left over, we will eat the remainder.

अर्थे लोपलीं पुराणें । नाश केला शब्दज्ञानें । विषयलोभी मन । साधनें बुडविलीं ॥२॥

The meaning has vanished from the Purāṇas; knowledge of mere words has ruined them; minds greedy for pleasure have drowned the practices.

पिटूं भक्तिचा डांगोरा । कळिकाळासी दरारा । तुका म्हणे करा । जेजेकार आनंदें ॥३॥

We will beat the drum of devotion and put fear into time and death. Tuka says: raise shouts of victory, with joy.

"We will sweep the paths" — झाडूं संतांचे मारग. Not build a new road. Sweep the old one clear so people can walk it again. It is a very modest ambition, and it is the whole Wārkarī project in a line.

Gāthā 4071 · ४०७१

रात्री दिवस आह्मां युद्धाचा प्रसंगNight and day, a war

Three lines, filed near the end of the Gāthā. Perhaps the most exact description of an anxious life in Marathi.

रात्री दिवस आह्मां युद्धाचा प्रसंग । अंतर्बाह्य जग आणि मन ॥१॥

Night and day we are at war — the world outside, and the mind within.

जीवा ही आगोज पडती आघात । येऊनियां नित्य नित्य करी ॥२॥

The self takes blows it never sees coming; they arrive, again and again, every day.

तुका ह्मणे तुझ्या नामाचिया बळें । अवघीयांचें काळें केलें तोंड ॥३॥

Tuka says: by the strength of your Name, I have shamed them all.

He does not say the war ends. He says it is on two fronts, all the time, and that the blows come without warning. That is the honest part, and it is why the last line can be trusted: whatever he found, he found while still in it.

Gāthā 2471 · २४७१

वृक्ष वल्ली आह्मां सोयरीं वनचरेंTrees and vines are our kin

Written, tradition says, during his solitude on Bhaṇḍārā hill. It ends with the line quoted most often on this whole subject: a mind in dialogue with itself.

वृक्ष वल्ली आह्मां सोयरीं वनचरें । पक्षी ही सुस्वरें आळविती ॥१॥

Trees and vines are our kin, and the creatures of the forest; birds sing to us in sweet voices.

येणें सुखें रुचे एकांताचा वास । नाहीं गुण दोष अंगा येत ॥ध्रु.॥

In this joy, living alone feels good; neither virtue nor fault clings to the body.

आकाश मंडप पृथुवी आसन । रमे तेथें मन क्रीडा करी ॥२॥

The sky for a canopy, the earth for a seat; the mind delights and plays there.

कंथाकुमंडलु देहउपचारा । जाणवितो वारा अवश्वरु ॥३॥

A patched cloth and a water-pot for the body's needs; the wind tells me the hour.

हरिकथा भोजन परवडी विस्तार । करोनि प्रकार सेवूं रुची ॥४॥

Stories of Hari are my food, served in plenty; I savour them in many ways.

तुका ह्मणे होय मनासी संवाद । आपुला चि वाद आपणांसी ॥५॥

Tuka says: the mind holds a dialogue — its own argument, with itself.

The first five lines are solitude as company: trees as relatives, birds as singers, the wind as a clock. And then the last line turns inward: होय मनासी संवाद । आपुला चि वाद आपणांसी — "the mind holds a dialogue; it is its own argument, with itself." Being alone did not quiet the conversation. It let him hear it.

Gāthā 2867 · २८६७

हे चि थोर भक्ति आवडती देवाStay as the Infinite placed you

The refrain of this abhang, ठेविलें अनंतें तैसें चि राहावें, is one of the most quoted lines in Marathi.

हे चि थोर भक्ति आवडती देवा । संकल्पावी माया संसाराची ॥१॥

This is the great devotion God loves: to offer up the illusion of worldly life.

ठेविलें अनंतें तैसें चि राहावें । चित्तीं असों द्यावें समाधान ॥ध्रु.॥

As the Infinite has placed you, so remain; keep contentment in your heart.

वाहिल्या उद्वेग दुःख चि केवळ । भोगणें तें फळ संचिताचें ॥२॥

Carrying anxiety brings only sorrow; what you undergo is the fruit of what was stored up.

तुका ह्मणे घालूं तयावरी भार । वाहूं हा संसार देवा पायीं ॥३॥

Tuka says: let us lay the burden on him; let us carry this worldly life at God's feet.

This line is often used to tell people to put up with things they should not put up with. Read the verse after it: वाहिल्या उद्वेग दुःख चि केवळ — "carrying the anxiety brings only sorrow." The instruction is not "accept whatever is done to you." It is narrower and more useful: the situation is one weight; the worrying about it is a second weight you are allowed to put down.

in the whole Gāthā → link
text notes

Corrected from obvious legacy-font errors in the Wikisource transcription: राह वें → राहावें.

Gāthā 1395 · १३९५

ओलें मूळ भेदी खडकाचें अंगA wet root splits the rock

On practice — abhyās. Short, practical, and much quoted to students.

ओलें मूळ भेदी खडकाचें अंग । आभ्यासासी सांग कार्यसिद्धि ॥१॥

A tender wet root splits the body of the rock — to practice, the work yields.

नव्हे ऐसें कांहीं नाहीं अवघड । नाहीं कईवाड तोंच वरि ॥ध्रु.॥

There is nothing so hard it cannot be done; it is hard only until you set your hand to it.

दोरें चिरा कापे पडिला कांचणी । अभ्यासें सेवनीं विष पडे ॥२॥

A rope, rubbing at the well's rim, wears a groove in stone; by habit, even poison can be taken.

तुका ह्मणे कैंचा बैसण्यासी ठाव । जठरीं बाळा वाव एकाएकीं ॥३॥

Tuka says: where was there room to sit? — yet in the womb, room is made for the child, bit by bit.

The last image is the gentlest: a womb has no room for a child, and then, slowly, it does. Change as something that makes room for itself a little at a time. Worth remembering on the days when nothing seems to be moving.

Gāthā 759 · ७५९

नाहीं निर्मळ जीवनIf the water isn't clean

Numbered 759 on Wikisource. The refrain is the whole argument.

नाहीं निर्मळ जीवन । काय करील साबण ॥१॥

If the water itself isn't clean, what will soap do?

तैसी चित्तशुद्धि नाहीं । तेथें बोध करील काई ॥ध्रु.॥

Just so: where the mind hasn't been cleared, what will advice do?

वृक्ष न धरी पुष्पफळ । काय करील वसंतकाळ ॥२॥

If the tree bears no flower or fruit, what will spring do?

वांजे न होती लेकरें । काय करावें भ्रतारें ॥३॥

If a woman cannot bear children, what can a husband do?

नपुंसका पुरुषासी । काय करील बाइल त्यासी ॥४॥

To a man who is impotent, what will a wife do?

प्राण गेलिया शरीर । काय करील वेव्हार ॥५॥

Once life has left the body, what use is business?

तुका ह्मणे जीवनेंविण । पीक नव्हे नव्हे जाण ॥६॥

Tuka says: without water, know this — no crop will ever grow.

Everyone who has been told to calm down knows why it didn't work. The advice was not wrong. It had nothing to act in. Water first; then soap.

Gāthā 1250 · १२५०

जळो माझें कर्म वायां केली कटकटLet my deeds burn

A quarrel with God, ending in a line that is either grateful or sarcastic — and probably both.

जळो माझें कर्म वायां केली कटकट । जालें तैसें तंट नाहीं आलें अनुभवा ॥१॥

Let my deeds burn — I made all that fuss for nothing; what happened happened, and none of it became something I could feel.

आता पुढें धीर काय देऊं या मना। ऐसें नारायणा प्रेरिलें तें पाहिजे ॥ध्रु.॥

Now what courage can I give this mind? Nārāyaṇ, it must be as you have set it going.

गुणवंत केलों दोष जाणायासाठीं। माझें माझें पोटीं बळकट दूषण ॥२॥

You made me gifted only so I could see my faults; in my own belly sits this stubborn flaw, "mine, mine."

तुका ह्मणे अहो केशीराजा दयाळा । बरवा हा लळा पाळियेला शेवटीं ॥३॥

Tuka says: O Keshirāj, kind one — a fine pampering you have kept up for me, in the end.

आता पुढें धीर काय देऊं या मना — "now what courage can I give this mind?" A saint who has run out of encouragement for himself. The honesty is the gift. You are allowed to have run out too.

Gāthā 942 · ९४२

उपकारासाटीं बोलों हे उपायI cannot bear to see them drown

Why he kept speaking, even when it cost him. The middle line is often quoted alone as बुडती हे जन न देखवे डोळां.

उपकारासाटीं बोलों हे उपाय । येणेंविण काय आह्मां चाड ॥१॥

It is to help that we speak of these remedies; otherwise what need would we have?

बुडतां हे जन न देखवे डोळां । येतो कळवळा ह्मणउनि ॥२॥

I cannot bear to see people drowning; compassion wells up — that is why.

तुका ह्मणे माझे देखतिल डोळे । भोग देते वेळे येईल कळों ॥३॥

Tuka says: my eyes will see it; when the time comes to suffer the consequences, it will be understood.

This is the reason given for all four thousand abhangas: not to be right, not to be remembered. He could not watch people drown and say nothing. If you have ever kept talking to someone who didn't want to hear it, because you could see where they were going, this is that.

Gāthā 981 · ९८१

मऊ मेनाहूनि आह्मी विष्णुदासSofter than wax

A self-portrait of the Wārkarī — gentle and immovable at once. The line popularly sung as "भले तरी देऊ कासेची लंगोटी, नाठाळाचे माथी हाणू काठी" appears here in the Wikisource text in a different form.

मऊ मेनाहूनि आह्मी विष्णुदास । कठिण वज्रास भेदूं ऐसे ॥१॥

Softer than wax are we, servants of Viṣṇu — yet hard enough to pierce a diamond.

मेले जित असों निजोनियां जागे । जो जो जो जें मागे तें तें देऊं ॥ध्रु.॥

Dead, we are alive; asleep, we are awake; whatever anyone asks of us, we give.

भले तरि देऊं गांडीची लंगोटी । नाठ्याळा चि गांठीं देऊं माथां ॥२॥

To the good we'll give even the loincloth off our backs; to the unruly, a knock on the head.

मायबापाहूनि बहू मायावंत । करूं घातपात शत्रूहूनि ॥३॥

More loving than mother and father; more ruinous than an enemy.

अमृत तें काय गोड आह्मांपुढें । विष तें बापुडें कडू किती ॥४॥

What is nectar — how sweet can it be to us? And poison, poor thing — how bitter?

तुका ह्मणे आह्मी अवघे चि गोड । ज्याचें पुरे कोड त्याचेपरि ॥५॥

Tuka says: we are sweet all through, to each according to the wish he brings.

Gentleness is not the same as having no spine, and this abhang will not let you confuse them. The same people who will give you the cloth off their backs will also tell you, plainly, when you are wrong.

Gāthā 4287 · ४२८७

ऐसे कैसे जाले भोंदूHow have such frauds come about?

Against holy men who perform renunciation.

ऐसे कैसे जाले भोंदू । कर्म करोनि ह्मणति साधु ॥१॥

How have such frauds come about — who do their deeds and call themselves saints?

अंगा लावूनियां राख । डोळे झांकुनी करिती पाप ॥ध्रु.॥

They smear ash on their bodies, shut their eyes, and sin.

दावुनि वैराग्याची कळा । भोगी विषयाचा सोहळा ॥२॥

They put on a show of renunciation and enjoy the festival of the senses.

तुका ह्मणे सांगों किती । जळो तयांची संगती ॥३॥

Tuka says, how much can I tell — let their company burn.

Four lines that every generation in India has needed. The ash, the closed eyes, the performance — he had seen all of it, and he did not think it was holy.

Gāthā 329 · ३२९

वैद वाचविती जीवाIf doctors could save every life

Famous for its second verse, a four-hundred-year-old joke against vows and superstition.

वैद वाचविती जीवा । तरी कोण ध्यातें देवा ॥१॥

If physicians could save every life, who would meditate on God?

काय जाणों कैसी परी । प्रारब्ध तें ठेवी उरी ॥ध्रु.॥

Who knows the way of it — what is fated keeps its hold.

नवसें कन्यापुत्र होती । तरि कां करणें लागे पती ॥२॥

If vows could produce daughters and sons, why would anyone need a husband?

जाणे हा विचार । स्वामी तुकयाचा दातार ॥३॥

The one who understands this reasoning is Tuka's master, the giver.

Please read the first line carefully. He is not saying "don't see a doctor." He is saying doctors cannot promise that no one dies — which is true, and which the next line about vows makes into a joke against people who think prayer can do what biology does. It is an argument for clear thinking, not against medicine. If you are unwell, see a doctor; Tukaram would have.

Gāthā 4276 · ४२७६

पवित्र तें कुळ पावन तो देशHoly is that clan

A roll-call of saints from every caste and community — the Gāthā's answer to anyone who thinks birth decides holiness.

पवित्र तें कुळ पावन तो देश । जेथें हरिचे दास घेती जन्म ॥१॥

Holy is that clan, sanctified that land, where the servants of Hari are born.

कर्मधर्म त्याचे जाला नारायण । त्याचेनी पावन तिन्ही लोक ॥ध्रु.॥

Their ritual and duty became Nārāyaṇ; through them the three worlds are made pure.

वर्णअभिमानें कोण जाले पावन । ऐसें द्या सांगून मजपाशीं ॥३॥

Who ever became pure through pride of caste? Tell me that, here in front of me.

अंत्यजादि योनि तरल्या हरिभजनें । तयाचीं पुराणें भाट जालीं ॥३॥

Those born among the outcast crossed over by singing to Hari; the Purāṇas became their bards.

वैश्य तुळाधार गोरा तो कुंभार । धागा हा चांभार रोहिदास ॥४॥

Tuḷādhār the merchant, Gorā the potter, Rohidās the leather-worker;

कबीर मोमीन लतिब मुसलमान । शेणा न्हावी जाण विष्णुदास ॥५॥

Kabīr the Muslim weaver, Latif the Muslim, Senā the barber — know them as servants of Viṣṇu.

काणोपात्र खोदु पिंजारी तो दादु । भजनीं अभेदू हरिचे पायीं ॥६॥

Kānhopātrā, Khodu, Dādu the cotton-carder — in worship, one with Hari's feet.

चोखामेळा बंका जातीचा माहार । त्यासी सर्वेश्वर ऐक्य करी ॥७॥

Chokhāmeḷā and Baṅkā, Mahārs by caste — with them the Lord of all became one.

नामयाची जनी कोण तिचा भाव । जेवी पंढरीराव तियेसवें ॥८॥

Nāmdev's Janī — what was her standing? The king of Pandharpur ate with her.

मैराळा जनक कोण कुळ त्याचें । महिमान तयाचें काय सांगों ॥९॥

Mairāḷa, Janaka — what was their lineage? How can I tell their greatness?

यातायातीधर्म नाहीं विष्णुदासा । निर्णय हा ऐसा वेदशास्त्रीं ॥१०॥

The servants of Viṣṇu have no caste-duty; this is the verdict of the Vedas and Shāstras.

तुका ह्मणे तुह्मी विचारावे ग्रंथ । तारिले पतित नेणों किती ॥११॥

Tuka says: look in the books yourselves — who knows how many the fallen ones who were saved.

A Shūdra poet, writing in the seventeenth century, naming a Muslim weaver, an untouchable, a barber and a servant woman as the holy ones — and then telling the Brahmins to check their own books. B. R. Ambedkar later argued that the saints only ever preached equality "in the eyes of God," which left caste in society untouched. Both things are true, and this abhang is the best place to see both.

Gāthā 46 · ४६

विष्णुमय जग वैष्णवांचा धर्मThe world is full of Viṣṇu

From the विराण्या. The last line is the Wārkarī ethic in miniature.

विष्णुमय जग वैष्णवांचा धर्म । भेदाभेदभ्रम अमंगळ ॥१॥

The world is full of Viṣṇu — that is the Vaiṣṇava's dharma; the illusion of difference is unholy.

अइका जी तुम्ही भक्त भागवत । कराल तें हित सत्य करा ॥ध्रु.॥

Listen, you devotees of the Bhāgavat: whatever good you do, do it in truth.

कोणा ही जिवाचा न घडो मत्सर । वर्म सर्वेश्वरपूजनाचें ॥२॥

Let no envy arise toward any living being — that is the secret of worshipping the Lord of all.

तुका म्हणे एका देहाचे अवयव । सुख दुःख जीव भोग पावे ॥३॥

Tuka says: we are limbs of one body; the one self feels its pleasure and its pain.

एका देहाचे अवयव — limbs of one body. If that is true, then another person's pain is not something that happens elsewhere.

Gāthā 3385 · ३३८५

आह्मां घरीं धन शब्दाचीं रत्नेंIn our house the wealth is words

This settles an old question. The third verse, तुका ह्मणे पाहा शब्द चि हा देव, is often recited and was doubted; it is in the Wikisource text.

आह्मां घरीं धन शब्दाचीं रत्नें । शब्दाचीं शस्त्रें यत्न करूं ॥१॥

In our house the wealth is jewels of words; with weapons of words we make our effort.

शब्द चि आमुच्या जीवाचें जीवन । शब्दें वांटूं धन जनलोकां ॥२॥

Words are the very life of our life; with words we share our wealth among the people.

तुका ह्मणे पाहा शब्द चि हा देव । शब्दें चि गौरव पूजा करूं ॥३॥

Tuka says: look — the word itself is God; with words we honour and worship.

He had lost the shop, the grain, the standing, the family. What was left was words, and he spent them by the thousand. When everything you could point to is gone, naming is still available to you — and the third line says that the naming itself can be a kind of prayer.

Gāthā 987 · ९८७

अणुरणीयां थोकडाSmaller than an atom, vast as the sky

The two lines of his that sound most like a mystic's. Sung by Bhīmsen Joshī as तुका आकाशाएवढा.

अणुरणीयां थोकडा । तुका आकाशाएवढा ॥१॥

Smaller than the smallest atom, Tuka is as vast as the sky.

गिळुनि सांडिलें कळिवर । भव भ्रमाचा आकार ॥ध्रु.॥

I have swallowed and spat out the corpse — the shape of worldly delusion.

सांडिली त्रिपुटी । दीप उजळला घटीं ॥२॥

I have cast off the three-fold split; a lamp is lit inside the pot.

तुका ह्मणे आतां । उरलों उपकारापुरता ॥३॥

Tuka says: now I remain only for the sake of helping others.

The first line holds both answers together: as small as possible, and as large as the sky. And the last line is the one to keep: उरलों उपकारापुरता — "I am left over only to be of use." Whatever he found, he did not keep it.

in the whole Gāthā → link
text notes

Corrected from obvious legacy-font errors in the Wikisource transcription: किळवर → कळिवर.

Gāthā 3241 · ३२४१

आनंदाचे डोहीं आनंदतरंगIn a pool of joy

Sung by Lata Mangeshkar, and in the films of 2018 and 2025. The first line uses the word joy four times.

आनंदाचे डोहीं आनंदतरंग । आनंद चि अंग आनंदाचें ॥१॥

In a pool of joy, waves of joy; joy is the very body of joy.

काय सांगों जालें कांहीचियाबाही । पुढें चाली नाहीं आवडीनें ॥ध्रु.॥

What can I say of what happened — beyond all telling; desire goes no further than this.

गर्भाचे आवडी मातेचा डोहळा । तेथींचा जिव्हाळा तेथें बिंबे ॥२॥

As a mother's cravings come from the child in her womb, so the tenderness there is mirrored here.

तुका ह्मणे तैसा ओतलासे ठसा । अनुभव सरिसा मुखा आला ॥३॥

Tuka says: so the mould has been cast; what I lived has come, just as it was, to my mouth.

The last line is the most important thing he ever said about his own poetry: अनुभव सरिसा मुखा आला — the experience and the words arrived together. He is not describing joy from outside. The abhang is the joy, happening.

in the whole Gāthā → link
text notes

Corrected from obvious legacy-font errors in the Wikisource transcription: कांहऴिचयाबाही → कांहीचियाबाही.

13 · 5 abhangas

ओढ Longing

The mood of the Pālkhī road: a married daughter waiting for the escort home at Diwali, a child looking for its mother in a crowd, a fish on the bank. The most-sung Tukaram is this Tukaram, and it is easy to see why. Longing is a feeling almost everyone has, and almost no one is allowed to say so plainly.

  1. भेटीलागीं जीवा लागलीसे आस
  2. कन्या सासुर्‍यासि जाये
  3. जेथें जातों तेथें तू माझा सांगाती
  4. हें चि दान देगा देवा
  5. बोलावा विठ्ठल पाहावा विठ्ठल
Gāthā 2811 · २८११

भेटीलागीं जीवा लागलीसे आसMy heart longs to meet you

One of the most-sung abhangas in Marathi; on Lata Mangeshkar's अभंग तुकयाचे.

भेटीलागीं जीवा लागलीसे आस । पाहे रात्रीं दिवस वाट तुझी ॥१॥

My heart longs to meet you; night and day I watch the road for you.

पूर्णिमेचा चंद्र चकोराचें जीवन । तैसें माझें मन वाट पाहे ॥ध्रु.॥

As the full moon is the life of the chakor bird, so my mind watches the road.

दिवाळीच्या मुळा लेंकी आसावली । पाहतसे वाटुली पंढरीची ॥२॥

As a married daughter longs for the escort home at Diwali, she watches the road to Pandharī.

भुकेलिया बाळ अति शोक करी । वाट पाहे परि माउलीची ॥३॥

A hungry child cries and cries, watching the road for its mother.

तुका ह्मणे मज लागलीसे भूक । धांवूनि श्रीमुख दावीं देवा ॥४॥

Tuka says: I am hungry — run, God, and show me your face.

दिवाळीच्या मुळा लेंकी आसावली — the married daughter waiting for someone from her mother's house to come and fetch her home for Diwali. Any Maharashtrian reader knows that ache exactly. He uses the most ordinary longing he can find to name the largest.

Gāthā 266 · २६६

कन्या सासुर्‍यासि जायेThe daughter looks back

Four short lines; three images of separation.

कन्या सासुर्‍यासि जाये । मागें परतोनी पाहे ॥१॥

The daughter leaves for her in-laws' house, and turns back to look.

तैसें जालें माझ्या जिवा । केव्हां भेटसी केशवा ॥ध्रु.॥

So it is with my heart: when will you meet me, Keshav?

चुकलिया माये । बाळ हुरू हुरू पाहे ॥२॥

A child that has lost its mother looks around, frightened.

जीवना वेगळी मासोळी । तुका म्हणे तळमळी ॥३॥

A fish out of water, says Tuka, thrashes.

No explanation, no moral. Three pictures and a question. Sometimes that is all a feeling needs.

Gāthā 1989 · १९८९

जेथें जातों तेथें तू माझा सांगातीWherever I go, you are with me

Sung by Lata Mangeshkar; the title of the Colors Marathi serial तू माझा सांगाती comes from its first line. Gandhi translated it in Yeravdā jail: "Wheresoever I go, Thou art my comrade."

जेथें जातों तेथें तू माझा सांगाती । चालविसी हातीं धरूनियां ॥१॥

Wherever I go, you are my companion; you lead me along, holding my hand.

चालों वाटे आह्मी तुझा चि आधार । चालविसी भार सवें माझा ॥ध्रु.॥

We walk the road with you as our only support; you carry my load along with me.

बोलों जातां बरळ करिसी तें नीट । नेली लाज धीट केलों देवा ॥२॥

When I speak and it comes out wrong, you set it straight; you took away my shyness and made me bold, God.

अवघें जन मज जाले लोकपाळ । सोइरे सकळ प्राणसखे ॥३॥

All people have become guardians to me; everyone is kin, dear as life.

तुका ह्मणे आतां खेळतों कौतुकें । जालें तुझें सुख अंतर्बाहीं ॥४॥

Tuka says: now I play, in delight; your joy has filled me, inside and out.

The longing has turned into company. And look at the third line: when I speak and it comes out wrong, you set it straight. It is a very small thing to thank God for, and a very real one.

Gāthā 2296 · २२९६

हें चि दान देगा देवाGive me only this

Sung by Lata Mangeshkar as हेंचि दान देगा देवा.

हें चि दान देगा देवा । तुझा विसर न व्हावा ॥१॥

Give me only this gift, God: that I never forget you.

गुण गाईन आवडी । हे चि माझी सर्व जोडी ॥ध्रु.॥

I will sing your qualities with love — that is all I have earned.

न लगे मुक्ति आणि संपदा । संतसंग देइप सदा ॥२॥

I don't need liberation or riches; give me always the company of saints.

तुका ह्मणे गर्भवासीं । सुखें घालावें आह्मासी ॥३॥

Tuka says: then gladly put us back in the womb.

The last line is startling. The whole of Indian religion is organised around escaping rebirth. He says: send me back, as often as you like, as long as I get to remember you and keep good company. Liberation was never the point. The relationship was.

Gāthā 1331 · १३३१

बोलावा विठ्ठल पाहावा विठ्ठलSpeak Viṭṭhal, see Viṭṭhal

Sung by Kishorī Āmoṇkar in Jitendra Abhiṣekī's setting.

बोलावा विठ्ठल पाहावा विठ्ठल । करावा विठ्ठल जीवभाव ॥१॥

Speak Viṭṭhal, see Viṭṭhal, make Viṭṭhal the feeling of your life.

येणें सोसें मन जालें हांवभरी । परती माघारी घेत नाहीं ॥ध्रु.॥

In this longing the mind has filled to the brim; it does not turn back.

बंधनापासूनि उकलली गांठी । देतां आली मिठी सावकाशें ॥२॥

The knot of bondage has come undone; an embrace came, unhurried.

तुका ह्मणे देह भारिला विठ्ठलें । कामक्रोधें केलें घर रितें ॥३॥

Tuka says: Viṭṭhal has filled the body; desire and anger have been emptied out of the house.

देतां आली मिठी सावकाशें — "an embrace came, unhurried." After all the waiting, the arrival is slow and quiet.

14 · 2 abhangas

निरोप Leaving

He disappeared in March 1650, at the Indrāyaṇī, during kīrtan. The tradition says he went to Vaikuṇṭha in his body; historians have argued ever since. These are two of the abhangas associated with the end.

  1. याजसाटीं केला होता आटाहास्ये
  2. आह्मी जातों आपुल्या गांवा
Gāthā 1323 · १३२३

याजसाटीं केला होता आटाहास्येFor this I had struggled

Its first line, याजसाठीं केला होता अट्टाहास । शेवटचा दिस गोड व्हावा, is quoted at the end of many Maharashtrian lives. Wikisource prints it in an older spelling, and the last verse has lost its तुका.

याजसाटीं केला होता आटाहास्ये । शेवटाचा दिस गोड व्हावा ॥१॥

For this I had struggled so hard: that the last day should be sweet.

आतां निश्चितीनें पावलों विसांवा । खुंटलिया धांवा तृष्णेचिया ॥ध्रु.॥

Now, with certainty, I have reached rest; the running of thirst has stopped.

कवतुक वाटे जालिया वेचाचें । नांव मंगळाचें तेणें गुणें ॥२॥

I marvel at what all the spending came to; it earned an auspicious name.

ह्मणे मुक्ति परिणिली नोवरी । आतां दिवस चारी खेळीमेळीं ॥३॥

Says: liberation has taken me as her bride; now, four days of play and joy.

The whole of life as effort, justified by one sweet last day. It is quoted at funerals across Maharashtra — usually about people who, like him, did not have an easy time of it.

Gāthā 4448 · ४४४८

आह्मी जातों आपुल्या गांवाWe are going to our own village

Tradition holds this to be his last abhang. Sung as आम्ही जातों आमुच्या गावा; Wikisource has आपुल्या गांवा.

आह्मी जातों आपुल्या गांवा । आमुचा रामराम घ्यावा ॥१॥

We are going to our own village; take our Rām-Rām.

तुमची आमची हे चि भेटी । येथुनियां जन्मतुटी ॥ध्रु.॥

This is our meeting, yours and mine — from here, the tie of births is cut.

आतां असों द्यावी दया । तुमच्या लागतसें पायां ॥२॥

Now keep your kindness toward us; I fall at your feet.

येतां निजधामीं कोणी । विठ्ठलविठ्ठल बोला वाणी ॥३॥

If anyone asks at our true home, say "Viṭṭhal, Viṭṭhal" aloud.

रामकृष्ण मुखीं बोला । तुका जातो वैकुंठाला ॥४॥

Say "Rāma, Kṛṣṇa" with your mouth — Tuka is going to Vaikuṇṭha.

रामराम — the everyday Marathi goodbye, what you say at a village gate. The most famous departure in Marathi literature is written in the words you would use to leave a neighbour's house.

ALL 4,564

संपूर्ण गाथा The whole Gāthā

Every abhang, in Marathi, three hundred to a page, under the Gāthā's own section headings — the song-games, the Hindi verses, the letter to Pandharpur, the quarrel with his wife, the abhangas on Shivājī. Or type a number, search any word, or let chance choose.

  1. 1मंगलाचरण
  2. 7विराण्या
  3. 127जोहार
  4. 139काला चेंडुफळी
  5. 141कोडें
  6. 150फुगड्या
  7. 152लखोटा
  8. 153हुंबरी
  9. 154हमामा
  10. 156गाई
  11. 157कांडण
  12. 159आडसण दळण
  13. 160दळण
  14. 169हाल
  15. 171सुतुतू
  16. 189टिपरी
  17. 201विटूदांडू
  18. 227मृदंग पाटया
  19. 250ब्रम्हचारी फिर्याद गेला
  20. 283हनुमंतस्तुति
  21. 355मंबाजी गोसावी यांनीं स्वामीस पीडा केली - अभंग
  22. 368स्वामीस सद्गुरूची कृपा जाली ॥
  23. 413डांका
  24. 429वासुदेव
  25. 435गांवगुंड
  26. 436जोगी
  27. 437सरवदा
  28. 438मुंढा
  29. 441डोई फोडा
  30. 442मलंग
  31. 443दरवेस
  32. 444वैद्यगोळी
  33. 445गोंधळ
  34. 450कावडे
  35. 455सौर्यान
  36. 466वाघा
  37. 467लळित
  38. 478आशीर्वाद
  39. 506दसरा
  40. 557लोहगावांस परचक्रवेढा पडला
  41. 566स्वामींचे स्त्रीनें स्वामींस कठिण उत्तरें केलीं
  42. 609नाटाचे अभंग समाप्त 63
  43. 665कान्होबा0नाट
  44. 672नाटाचे अभंग समाप्त 63
  45. 784शाक्तावर
  46. 1056पाईक
  47. 1075घोंगड्याचे अभंग-
  48. 1090रामचरित्र - अभंग
  49. 1104श्लोकरूपी अभंग -
  50. 1137क्षमा दया शांति । बाण अभंग ते हातीं
  51. 1142सेतावर
  52. 1146उतराधिपदें - 22
  53. 1168साख्या
  54. 1231शांति क्षमा दया अलंकार अंगीं । अभंग प्रसंगीं धैर्यवंत
  55. 1247भुपाऑया ॥ अभंग
  56. 1313लोहागांवीं स्वामींच्या अंगावर ऊन पाणी घातलें - तो अभंग
  57. 1315नामदेव व पांडुरंग यांनी स्वप्नांत येऊन स्वामींस आज्ञा केली कीं कवित्व करणें - ते अभंग
  58. 1328स्वामीस संतांनीं पुसलें कीं तुह्मांस वैराग्य कोण्या प्रकारें जालें तें सांगा - ते अभंग
  59. 1498सदाशिवावर अभंग
  60. 1581स्वामींनीं काया ब्रह्म केली ते अभंग
  61. 1605शखे 1571 एकाहत्तरीं विरोधनामसंवत्सरीं फालगुनवद्य द्वितीया सोमवासरीं प्रथमप्रहरीं तुकोबा गुप्त जाले
  62. 1650वाराणसीस यात्रा चालली तेव्हां स्वामींनीं भागीरथीस पत्र धाडिलें - ते अभंग
  63. 1745अनघडसिद्धाच्या शब्देंकरून रामेश्वरभटाच्या शरीरीं दाह जाला तो ज्यानें शमला तो अभंग
  64. 1878शिवाजी राजे यांनीं स्वामींस अबदागिरी, घोडा, कारकून असे न्यावयास पाठविले ते अभंग
  65. 1898स्वामींनीं पत्र पंढरीनाथास पंढरीस पाठविलें ते अभंग ॥ 66 संतांबरोबर पाठविल्या पत्राचे
  66. 1934या पत्राच्या उत्तराच्या मार्गप्रतीक्षेचे
  67. 1953व संत परत आले त्यांची भेट झाली ते
  68. 1964पत्राचे अभंग समाप्त । 36 । 19 । 11
  69. 1970स्वामींनीं स्त्रीस उपदेश केला ते अभंग
  70. 2211अलकापुरीं स्वामी कीर्तनास उभे राहिले तेव्हां कवित्वाचा निषेध करून लोक लोकांनीं फार पीडा केली कीं संसारही नाहीं व परमार्थही बुडविला आणीक कोणी असतें तें जीव देतें मग निद्रा केली ते अभंग
  71. 2231स्वामींनीं तेरा दिवस निद्रा केली. मग भगवंतें येऊन समाधान केलें कीं, कवित्व कोरडें आहे तें काढणें उदकांतून
  72. 2236वर्षाव केला
  73. 2303येकाखडी
  74. 2305लोहागांवीं कीर्तनांत मेलें मूल जीत झालें ते समयीं स्वामींनीं अभंग केले ते
  75. 2307अलंकापुरीं ब्राह्मण धरणें बसून बेताळीस दिवस उपवासी होता त्यास द्दष्टांत कीं देहूस तुकोबापाशी जाणें. ब्राह्मण स्वामीपें आला त्याबद्दल अभंग
  76. 2314उपदेश अभंग
  77. 2338देवाचें उचित एकादश अभंग । महाफळ त्याग करूनि गेला
  78. 2362स्वामीचें अभंगींचें नांव काढून सालोमालो आपलें नांव घालीत त्यावर अभंग
  79. 2477पाळणा
  80. 2489लळतें 9
  81. 2603धन घरीं पांडुरंग । अभंग जें सरेना ॥ध्रु.
  82. 2871देवांनीं स्वामींस चिंचवडास नेलें होतें ते अभंग, आरत्या
  83. 4251भाग्यवंत आह्मी विष्णुदास जगीं । अभंग प्रसंगीं धैर्यवंत
  84. 4400नाटाचे 2
  85. 4481ओंव्या प्रारंभ 231
  86. 4484बाळक्रीडा प्रारंभ अभंग - 100
  87. 4575नारायणें दिलीं अक्षई मंदिरें । अभंग साचारें सकळांसि

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    Source: तुकाराम गाथा on Marathi Wikisource, which does not say which printed edition it was transcribed from; its numbering is close to, but not the same as, the Government Gāthā of 1950. About a quarter of its text carried a systematic legacy-font error (र्ण printed as णिऩ, क्त as H and the like); we repaired those by rule, and the handful we could not repair are marked. Some errors are still in the text: where you see इप, read ई (होइप = होई; about 220 abhangas carry it), and a few vowel signs sit on the wrong letter. The Wikisource text has 4,564 abhangas, numbered 1–4,583 (a few numbers are missing). The verses themselves are public domain; the transcription is by Wikisource contributors, CC BY-SA 4.0, and our repairs are offered on the same terms. If you find a wrong line, write to us with the abhang number.

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